Television Drama from Germany: Production, Storytelling and "Quality" : Palgrave Studies in Screenwriting
Autor Florian Kraußen Limba Engleză Hardback – 19 sep 2024
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Specificații
ISBN-13: 9783031606212
ISBN-10: 3031606213
Pagini: 240
Ilustrații: Approx. 240 p. 30 illus. in color.
Dimensiuni: 148 x 210 x 25 mm
Greutate: 0.54 kg
Ediția:2024
Editura: Springer Nature Switzerland
Colecția Palgrave Macmillan
Seria Palgrave Studies in Screenwriting
Locul publicării:Cham, Switzerland
ISBN-10: 3031606213
Pagini: 240
Ilustrații: Approx. 240 p. 30 illus. in color.
Dimensiuni: 148 x 210 x 25 mm
Greutate: 0.54 kg
Ediția:2024
Editura: Springer Nature Switzerland
Colecția Palgrave Macmillan
Seria Palgrave Studies in Screenwriting
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction.- 2. Quality TV Drama: Fields of Research and Practitioners’ Perspectives.- 3. Drama Production in Networks: Starting Points, Methods and First Results.- 4. Germany’s Television Landscape: Actors and Production Areas.- 5. Financing and Distributing Television Drama: Economic Networks.- 6. Quality Drama as Transnational Expansion: Exports and Local Specifics.- 7. Contents and Forms of German TV Drama: Aesthetic and Narrative Styles and Criticisms.- 8. Quality TV and Its Production Cultures: Negotiations on Writing and Producing.- 9. To Be Continued: Conclusion and Outlook.
Notă biografică
Florian Krauß is a lecturer at the University of Siegen, Germany, and a freelance script editor. He has held visiting scholar positions at the universities of Bologna, Copenhagen and Utrecht and served as visiting professor at Technische Universität Dresden, Germany, and as research associate at the Film University Babelsberg Konrad Wolf, Germany.
Textul de pe ultima copertă
'Television Drama from Germany is an important piece of research into TV drama that combines industry access over several years with excellent knowledge of the field. Krauß offers a fascinating account of how the German TV drama ecosystem has developed in response to public subsidies, private channels and streaming, contributing invaluable insights for Screenwriting and TV scholars around the world.'
'The book is well researched and offers invaluable insights by drawing on more than 30 interviews with practitioners from the German television industry. It is a great resource for students, scholars and professionals trying to understand transformative changes in European screen cultures.'
This open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television industry. As in other European countries, in Germany this has included a crucial upheaval: the emergence of various streaming services, which has multiplied the television market. As a systematic study of this changing fiction industry, Television Drama from Germany will be of great interest to both academics and practitioners working both within and outside the German-language television market.
Florian Krauß is a lecturer at the University of Siegen, Germany, and a freelance script editor. He has held visiting scholar positions at the universities of Bologna, Copenhagen and Utrecht and served as visiting professor at Technische Universität Dresden, Germany, and as research associate at the Film University Babelsberg Konrad Wolf, Germany.
- Adam Ganz, Professor of Screenwriting, Royal Holloway, University of London, United Kingdom
'The book is well researched and offers invaluable insights by drawing on more than 30 interviews with practitioners from the German television industry. It is a great resource for students, scholars and professionals trying to understand transformative changes in European screen cultures.'
- Susanne Eichner, Professor of Analysis and Aesthetics of Audiovisual Media, Film University Babelsberg Konrad Wolf, Germany, and Affiliate Associate Professor of Media and Journalism Studies, Aarhus University, Denmark
This open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television industry. As in other European countries, in Germany this has included a crucial upheaval: the emergence of various streaming services, which has multiplied the television market. As a systematic study of this changing fiction industry, Television Drama from Germany will be of great interest to both academics and practitioners working both within and outside the German-language television market.
Florian Krauß is a lecturer at the University of Siegen, Germany, and a freelance script editor. He has held visiting scholar positions at the universities of Bologna, Copenhagen and Utrecht and served as visiting professor at Technische Universität Dresden, Germany, and as research associate at the Film University Babelsberg Konrad Wolf, Germany.
Caracteristici
Explores the expansion of German drama beyond Germany contributing to studies in transnational television Considers recent media industry, screenwriting research and television studies in a national context Extends research on quality TV This book is open access, which means that you have free and unlimited access