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The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain: Exeter Studies in Film History

Autor Richard Lowell MacDonald
en Limba Engleză Hardback – 14 iul 2016
This book offers the first full account of the volunteer-led film society movement in Britain and its contribution to postwar film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses in film studies. Showing how film societies operated and the lasting impression they made on film, Richard MacDonald also details the history of film education in Britain, along the way addressing tensions that existed within the voluntary societies between avant-garde ideals and the desire to increase membership and participation.
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Specificații

ISBN-13: 9780859898881
ISBN-10: 0859898881
Pagini: 248
Ilustrații: 8 halftones
Dimensiuni: 157 x 235 x 28 mm
Greutate: 0.61 kg
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Seria Exeter Studies in Film History


Notă biografică

Richard Lowell MacDonald is a lecturer in the Media and Communications Department at Goldsmiths, University of London.

Cuprins

List of Illustrations

Acknowledgments

Introduction

1 Enthusiasm and Civic Duty: The Emergence of the Film Society Movement

2 The Postwar Transformation of the Film Society Movement

3 Popularising Film Appreciation: Roger Manvell’s Film

4 The British Film Institute, the Film Archive and Film Society Programming

5 Making the World Our Home: Affirmative Internationalism and Film Societies

6 Film Society Criticism, Middlebrow Taste and New Cinemas

7 Film Societies, Universities and the Emergence of Film Studies

Conclusion: What Was Film Appreciation?

Notes

Bibliography

Index
 

Recenzii

"An interesting project, based on thorough research, dealing with a topic that deserves to be better known and better documented."

"This book serves as a valuable companion to an emerging literature on the history of film studies, both internationally and specifically within Britain."

MacDonald and his thoughtful monograph, with patience and sincerity, invite us to acknowledge the appreciation of film among the ordinaries, and their important effort in shaping the film culture we enjoy today.”

“This book offers an engaging and accessible history of British film society culture. It makes a substantial and very valuable contribution to our understanding of the film society movement and the development of a British intellectual film culture. It will become an important point of reference.”

Finalist for the Richard Wall Memorial Award for an exemplary work in the field of recorded performance