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The Art of the Franciscan Order in Italy: The Medieval Franciscans, cartea 1

Editat de Roger Cook
en Limba Engleză Hardback – 15 aug 2005
This volume of essays, by a group of scholars from the United States and Great Britain, presents a panoramic look at the study of Franciscan art in late medieval and early Renaissance Italy. In addition to being important case studies, the articles suggest a range of methodologies and interdisciplinary perspectives on important works of art. Senior scholars who have worked in the field for decades are joined by a new generation of researchers in the field. New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included. Those who study the Franciscan tradition as well as art historians, historians, literary critics, and theologians will find the studies relevant to their work.

Contributors: Donal Cooper; Janet Robson; Daniel T. Michaels; Marilyn Lavin; Thomas De Wesselow; Beth Mulvaney; Ronald B. Herzman; Gregory W. Ahlquist; William R. Cook; Nancy M. Thompson.
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Specificații

ISBN-13: 9789004131675
ISBN-10: 9004131671
Pagini: 297
Dimensiuni: 166 x 243 x 30 mm
Greutate: 0.94 kg
Editura: Brill
Colecția Brill
Seria The Medieval Franciscans


Public țintă

This book is valuable to all research libraries. It will appeal to specialists in art history, history, religion, and literature and has special relevance to those who study St Francis and the Franciscans.

Notă biografică

William R. Cook, Ph.D. (1971) in History from Cornell University, is Distinguished Teaching Professor at the State University of New York, Geneseo. He has published a brief biography of St Francis (Litrugical Press, 1989) as well as two books on early Franciscan art, most recently Images of St Francis of Assisi (Leo S. Olschki, 1999).

Recenzii

'Rarely is an edited volume so consistent in the tenor and quality of the scholarship. The only criticism of the volume is that the essays leave the reader thirsty for more. Perhaps this suggests that the interest in Franciscan art is so keen, it might be worthy of a second volume.'
Michelle Erhardt, The Medieval Review, 2005

Cuprins

Introduction William R. Crook
List of illustrations
Notes on Contributors

‘In loco tutissimo et firmissimo’: The Tomb of St. Francis in History, Legend and Art Donal Cooper
The Pilgrim’s Progress: Reinterpreting the Trecento Fresco Programme in the Lower Chrich at Assisi Janet Robson
Prophecy in Stone: The Exterior Façade pf the Basilica of St. Francis in Assisi Daniel T. Michaels
Cimabue at Assisi: The Virgin, the ‘Song of Songs’, and the Gift of Love Marilyn Aronberg Lavin
The Date of the St. Francis cycle in the Upper Chruch of San Francesco at Assisi: the Evidence of Copies and considerations of Method Thomas de Wesselow
The Beholder as Witness: The ‘Crib at Greccio’ from the Upper church of San Francesco, Assisi and Franciscan Influence on Late Medieval Art in Italy. Beth A. Mulvaney
‘I Speak not yet of Proof’: Dante and the Art of Assisi Ronald B. Herzman
The Representation of post humous Miracles of St Francis of Assisi in Thirteenth-Century Italian Painting Gregory W. Ahlquist and William R. Cook
Cooperation and conflict: Stained Glass in the Bardi chapel of Santa Croce Nancy M. Thompson

Indices