The Blaxploitation Horror Film: Adaptation, Appropriation and the Gothic: Horror Studies
Autor Jamil Mustafaen Limba Engleză Paperback – 25 aug 2023
This book is the first to put Blaxploitation horror films such as Blacula in conversation with both mainstream horror movies and classic Gothic stories. Jamil Mustafa argues that mainstream horror films adapt while Blaxploitation horror films appropriate the vampire, the Frankenstein monster, the evil spirit, the zombie, Dr. Jekyll and Mr. Hyde, and the werewolf for their unique audiences and purposes. Ultimately, he reveals how Blaxploitation horror films reinvent the archetypes of Gothic fiction and film, not to exploit but to satisfy Black audiences.
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Specificații
ISBN-13: 9781786839978
ISBN-10: 1786839970
Pagini: 272
Ilustrații: 10 halftones
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.31 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria Horror Studies
ISBN-10: 1786839970
Pagini: 272
Ilustrații: 10 halftones
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.31 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria Horror Studies
Notă biografică
Jamil Mustafa is a professor in the Department of English Studies at Lewis University.
Cuprins
Acknowledgements
Introduction: Blaxploitation, Adaptation/Appropriation and the (Black) Gothic
1. Queer Bloodlines: The Vampire
2. Making Monsters: Frankenstein’s Creature
3. Beyond ‘the animal within’: Jekyll/Hyde and the Werewolf
4. Body and Soul: The Zombie and the Evil Spirit
Conclusion: The Legacy of the Blaxploitation Horror Film
Introduction: Blaxploitation, Adaptation/Appropriation and the (Black) Gothic
1. Queer Bloodlines: The Vampire
2. Making Monsters: Frankenstein’s Creature
3. Beyond ‘the animal within’: Jekyll/Hyde and the Werewolf
4. Body and Soul: The Zombie and the Evil Spirit
Conclusion: The Legacy of the Blaxploitation Horror Film
Recenzii
"This clearly written and well researched book, deeply informed by adaptation theory, is now the definitive study of Gothic “Blaxploitation” movies since the 1970s. Not only does it analyse such films as films, more completely than they have ever been treated, but it also connects them thoroughly to (adding new revelations about) the civil and gay rights movements, Black Gothic writing, and the long history of Gothic texts and monsters that these films develop and critique."
"This lucid and compelling book represents the most substantial and rigorous analysis of Blaxploitation and horror cinema. Never shying away from the controversies of the Blaxploitation genre, Jamil Mustafa succeeds in exploring these extraordinary horror movies in detailed aesthetic, socio-historical and theoretical contexts. It is a pioneering and frequently brilliant study, essential reading for anyone interested in any aspect of race and the horror film."