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The Blood of the Lamb: A Novel de Peter De Vries

The Blood of the Lamb: A Novel

Autor Peter De Vries
en Limba Engleză Paperback – iun 2005
The most poignant of all De Vries's novels, The Blood of the Lamb is also the most autobiographical. It follows the life of Don Wanderhop from his childhood in an immigrant Calvinist family living in Chicago in the 1950s through the loss of a brother, his faith, his wife, and finally his daughter-a tragedy drawn directly from De Vries's own life. Despite its foundation in misfortune, The Blood of the Lamb offers glimpses of the comic sensibility for which De Vries was famous. Engaging directly with the reader in a manner that buttresses the personal intimacy of the story, De Vries writes with a powerful blend of grief, love, wit, and fury.
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Specificații

ISBN-13: 9780226143880
ISBN-10: 0226143880
Pagini: 248
Dimensiuni: 133 x 203 x 15 mm
Greutate: 0.23 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press

Notă biografică

Peter De Vries (1910–1993), the man responsible for contributing to the cultural vernacular such witticisms as "Nostalgia ain't what it used to be" and "Deep down, he's shallow," was, according to Kingsley Amis, "the funniest serious writer to be found on either side of the Atlantic." But De Vries's life and work was informed as much by sorrow as by wit, and that dynamic is nowhere better seen than in his classics Slouching Towards Kalamazoo and The Blood of the Lamb. First published in 1982 and 1965, respectively, these novels reemerge with their sharp satire and biting pain undiluted by time.

Recenzii

"Funny, angry, and thoroughly human, The Blood of the Lamb is the best novel about cancer I've ever read."

“One of my favorite books ever.”

"With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long."

"My favorite novel of [2005] is the University of Chicago Press reprint of Peter DeVries’ The Blood of the Lamb, a tirade against faith inspired by the death of the author’s daughter. Not since Graham Greene’s The End of the Affair has a book rendered man’s rage against a hostile God so visceral.... DeVries’ Don Wanderhope moves deftly from manic hilarity to manic fury, and back again, as he tells his story. At the end, all humor drains away in a strange, explosive and utterly hopeless confrontation with the divine."

"If Peter De Vries did not write the latter part of 'The Blood of the Lamb' with his own life's blood, I never have read a book that was so written. It plainly is autobiographical, and for poignant, sensitive treatment of the death of a beloved child it has scarcely a superior in contemporary fiction."

"A masterpiece of realism and literary craftsmanship. It tells a poignant story without relying on sentiment or sacrificing humor."

“De Vries was an editor at Poetry magazine, a staff writer at The New Yorker, and the author of some two dozen of the wittiest novels you’ll ever read, including the masterworks The Blood of the Lamb and Slouching Toward Kalamazoo, as well as The Tunnel of Love and Reuben, Reuben, just resurrected in handsome paperback by the University of Chicago Press. . . . Only those with a consummate lack of cleverness wield the word ‘clever’ as an insult, and De Vries demonstrates just how much can be done with a creative intelligence charged by the clever and satirical and ironic. Let us now praise those saints at the University of Chicago Press who possess the smarts and good taste to return to print a peerless American maestro of wit.”

“Quick with quips so droll and witty, so penetrating and precise that you almost don’t feel them piercing your pretensions, Peter De Vries was perhaps America’s best comic novelist not named Mark Twain. . . . It’s something of a crime against literature that De Vries, whose novels of the 1950s and early ’60s made wonderful sport of postwar striving, the middle-class move to the suburbs, and generational clashes that would render major cultural shifts just a few years hence, has mostly been forgotten. . . . Literature—in the form of the University of Chicago Press—is making amends for its lapses by re-issuing the best of De Vries’ works, five comic tomes long out of print.”

“Wounded as De Vries was, he stumbled forward in the manner he knew: by writing. He rendered the world as precisely as he could, with violence, beauty, grief, and humor intermingled. The way they always come.”