The Book of Jane: Iowa Poetry Prize
Autor Jennifer Habelen Limba Engleză Paperback – 31 mar 2020
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Specificații
ISBN-13: 9781609387075
ISBN-10: 1609387074
Pagini: 110
Dimensiuni: 178 x 229 x 5 mm
Greutate: 0.2 kg
Ediția:1
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Iowa Poetry Prize
ISBN-10: 1609387074
Pagini: 110
Dimensiuni: 178 x 229 x 5 mm
Greutate: 0.2 kg
Ediția:1
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Iowa Poetry Prize
Notă biografică
Jennifer Habel is the author of Good Reason. She lives in Cincinnati, Ohio.
Extras
From “A Guide to Jane’s Office”:
That space heater is probably dangerous.
That’s from the gift shop at the Matisse Chapel.
This coaster hides a water ring.
Here is the bulletin board, empty as a well.
That’s trash.
That’s recycling.
This stuff needs to be shredded.
That under there is lost.
This is not quite what she expected, though it’s possible she
never expected.
That sheet of paper says wine
compost
Dr. Wu?
Here is the thing about female sculptors in the Weimar Republic:
their work was celebrated only if it was small.
There is the squirrel staring in from the box gutter.
There is a long thin crack in the wall.
That’s nothing.
That’s private.
That’s due.
That space heater is probably dangerous.
That’s from the gift shop at the Matisse Chapel.
This coaster hides a water ring.
Here is the bulletin board, empty as a well.
That’s trash.
That’s recycling.
This stuff needs to be shredded.
That under there is lost.
This is not quite what she expected, though it’s possible she
never expected.
That sheet of paper says wine
compost
Dr. Wu?
Here is the thing about female sculptors in the Weimar Republic:
their work was celebrated only if it was small.
There is the squirrel staring in from the box gutter.
There is a long thin crack in the wall.
That’s nothing.
That’s private.
That’s due.
Descriere
The Book of Jane is a perceptive, tenacious investigation of gender, authority, and art. Jennifer Habel draws a contrast between the archetype of the lone male genius and the circumscribed, relational lives of women. Habel points repeatedly to discrepancies of scale: the grand arenas of Balanchine, Einstein, and Matisse are set against the female miniature—the dancer’s stockings, the anonymous needlepoint, the diary entry, the inventory of a purse.