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The Bridgend Suicides: Suicide and the Media

Autor Ann Luce
en Limba Engleză Hardback – 28 iul 2016
This in depth analysis looks at how suicide was represented in the British press when 20 young people between the ages of 15 and 29 took their own lives in the South Wales Borough of Bridgend in 2008. The chapters highlight specific categories of description that journalists use to explain suicide to their readers. The study also examines the discourses that emerged around suicide that continue to perpetuate stigma and shame when suicide occurs today. Using her own experience of having lost a loved one to suicide, coupled with original research, the author gives a very frank explanation of why suicide is not accepted in society today.
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Specificații

ISBN-13: 9781137392923
ISBN-10: 1137392924
Pagini: 256
Ilustrații: IX, 216 p.
Dimensiuni: 148 x 210 x 18 mm
Greutate: 0.4 kg
Ediția:1st ed. 2016
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

1.Why Suicide?.- 2.Production Processes of the British Press.- 3.Foundation for a Suicidal Culture.- 4.The Bridgend Suicides.- 5.Discursive Practices in Suicide Reporting.- 6.Bridgend in Film.- 7.Suicide: An End to stigma? 


Notă biografică

Ann Luce is Senior Lecturer in Journalism and Communication at Bournemouth University, UK. She worked for nearly 10 years in newspaper and magazine journalism in the United States. Much of her research focuses on the reporting of suicide, but she has also worked on projects around representations of midwifery in the media, as well as teaching disabled people how to become citizen journalists. 

Textul de pe ultima copertă

'Journalists and media practitioners worldwide should read this significant book on suicide. Ann Luce draws on an insightful media analysis of the tragic 2008 deaths by suicide at Bridgend in South Wales, and on her own journalistic practice, to explore the social, cultural and ethical dimensions of this continuing global health issue. This important work is a timely reminder of the responsibilities of the media in health reporting and communication.
– Emeritus Professor R. Warwick Blood, University of Canberra, Australia. 

'The Bridgend Suicides offers a compelling account of how local press reporting of a succession of suicides by children and young people in Bridgend in 2008, created a feeding frenzy in national and international news media. Ann Luce, a journalist turned academic, offers a meticulously detailed, rare and extremely valuable case study of journalists’ framing of suicide, newspapers’ sensationalist coverage,and how both militate against public understanding of this significant issue for health and social policy. Written with compassion and academic rigour, The Bridgend Suicides is an important book for students, scholars and lay readers alike. Its contribution to the literatures of Journalism and Media Studies is substantial. It risks becoming a classic text; and deservedly so.
– Professor Bob Franklin, The Cardiff School of Journalism, Media and Cultural Studies, Wales. 

This in depth analysis looks at how suicide was represented in the British press when 20 young people between the ages of 15 and 29 took their own lives in the South Wales Borough of Bridgend in 2008. The chapters highlight specific categories of description that journalists use to explain suicide to their readers. The study also examines the discourses that emerged around suicide that continue to perpetuate stigma and shame when suicide occurs today. Using her own experience of having lost a loved one to suicide, coupled with original research, the author gives a very frank explanation of why suicide is not accepted in society today. 


Caracteristici

Only book on the market that deals specifically with the Bridgend suicides, the issue of suicide and the way the media reports or depicts this Exposes the five main categories that journalists use to report and stigmatise suicide Examines the role of social networking sites and new media in the reporting of suicide and the impact that has on how audiences engage with suicide stories