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The Cambridge Handbook of Copyright in Street Art and Graffiti de Enrico Bonadio

The Cambridge Handbook of Copyright in Street Art and Graffiti: Cambridge Law Handbooks

Editat de Enrico Bonadio
en Limba Engleză Hardback – 6 noi 2019
In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
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Specificații

ISBN-13: 9781108482332
ISBN-10: 1108482333
Pagini: 348
Ilustrații: 17 b/w illus.
Dimensiuni: 183 x 260 x 20 mm
Greutate: 0.86 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Law Handbooks

Locul publicării:New York, United States

Cuprins

Part I. Creativity in the Street Between Misappropriation and Destruction: The Role of Copyright and Moral Rights; Section 1. A Sociological Perspective: 1. A set of premises for the scrutiny and interpretation of graffiti and street art Heitor Alvelos; 2. Graffiti and street art: creative practices amid 'corporatization' and 'corporate appropriation' Ronald Kramer; 3. Decontextualisation of street art Peter Bengtsen; Section 2. Some Preliminary Legal and Policy Issues: 4. Copyright protection of illegal street and graffiti artworks Paula Westenberger; 5. Conservation of street art, moral right of integrity and a web of conflicting interests Enrico Bonadio; 6. Works and walls: graffiti writing and street art at the intersection of copyright and land law Marta Iljadica; Part II. National Legal Analysis: Section 1. Americas: 7. Street art, graffiti and copyright: a US perspective Enrico Bonadio; 8. Graffiti, street art, walls, and the public in Canadian copyright law Pascale Chapdeleine; 9. Copyright protection for graffiti and street art: a Colombian perspective Marcela Palacio Puerta; Section 2. Europe: 10. Street art, graffiti and copyright: a UK law perspective Enrico Bonadio; 11. Graffiti, street art and copyright in France Shane Burke; 12. Germany Marc Mimler; 13. Copyright in street art and graffiti: an Italian perspective Enrico Bonadio and Gilberto Cavagna Di Gualdana; 14. Copyright in street art and graffiti in The Netherlands Anke Moerland and Stéphanie De Potte; 15. Copyright protection of street art and graffiti in Greece: intellectual property and personal property in conflict? Stavroula Karapapa; Section 3. Africa, Asia and Australasia: 16. Graffiti and street art under South African copyright law Tobias Schonwetter and Bram Van Wiele; 17. Street art, graffiti, and Indian copyright law Nandita Saikia; 18. Copyright in street art and graffiti: an Australian perspective Mark Davidson; 19. Copyright, graffiti, and street art in Aotearoa New Zealand Jonathan Barrett; Epilogue. A contrasting opinion: 20. Copyright skepticism and street art: a contrasting opinion Andrea Baldini.

Recenzii

'This book paints a rich picture of the meeting of street art and copyright law. It explores social norms within the subversive artistic community and the friction with external players. The chapters offer an eye-opening tour of urban spaces, and uncover the social and legal layers behind the city's biting art.' Michael Birnhack, University of Tel Aviv
'With the explosion of street art emerging on the walls of our cities and circulating through our social media feeds, this book is a timely and informative examination of the copyright law and policy issues that street art and graffiti generate, and the diverse interests that they impact.' Jani McCutcheon, University of Western Australia
'From Banksy to Hosier Lane to legal disputes involving 5Pointz and H&M, this timely volume tackles challenging copyright and related questions concerning street art and graffiti. The collected essays feature authors with diverse geographical and disciplinary backgrounds. Whether you are a street art aficionado, student in fine art or commentator on copyright law, this book will provoke you to rethink the legal treatment of unconventional forms of cultural heritage.' Peter K. Yu, Director, Center for Law and Intellectual Property, Texas A & M University
'Street art and the law have danced many a pas de deux over the past few decades. Now, with The Cambridge Handbook of Copyright in Street Art and Graffiti, Enrico Bonadio and his contributors reveal the next step in this dance: the interplay of street art and copyright law. As street art and graffiti increasingly cross over into the worlds of commerce and popular culture, complex issues of ownership, authenticity, and copyright arise - and with them, the scholarly importance of this book. Sweeping across courts, countries, and continents, this book choreographs a critical, comparative understanding of street art's contemporary legal milieu.' Jeff Ferrell, author of Crimes of Style: Urban Graffiti and the Politics of Criminality
'What an amazing and highly original collection of works by Enrico Bonadio and his impressive cast of collaborators ranging from graffiti artists and lawyers to academics. This book should be read by everybody with an interest in the theory and practice of art, copyright, creativity, and comparative law.' Uma Suthersanen, Chair in International Intellectual Property Law, Queen Mary University of London
'Enrico Bonadio brings together a host of academic opinions on graffiti and street art, specifically the copyright and moral rights issues which have reared their heads since the early 2000s, creating a handbook which is enjoyable, comprehensive, and varied enough to maintain the reader's interest throughout.' Aislinn O'Connell, European Intellectual Property Review
'The diverse group of legal experts … and art scholars … assembled present a broad spectrum of viewpoints on the intellectual property rights merited by street art and graffiti … The book is provocative and authoritative.' L. C. Duhon, Choice

Descriere

Brings together experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti.