Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Machen's strong opposition to a materialistic viewpoint is obvious in many of his works, marking him as part of neo-romanticism. He was deeply suspicious of science, materialism, commerce, and Puritanism, all of which were anathema to Machen's conservative, bohemian, mystical, and ritualistic temperament. Machen's virulent satirical streak against things he disliked has been regarded as a weakness in his work, and rather dating, especially when it comes to the fore in works such as Dr Stiggins. Similarly, some of his propagandistic First World War stories also have little appeal to a modern audience. Machen, brought up as the son of a Church of England clergyman, always held Christian beliefs, though accompanied by a fascination with sensual mysticism; his interests in paganism and the occult were especially prominent in his earliest works. Machen was well read on such matters as alchemy, the kabbalah, and Hermeticism, and these occult interests formed part of his close friendship with A. E. Waite. Machen, however, was always very down to earth, requiring substantial proof that a supernatural event had occurred, and was thus highly sceptical of Spiritualism. Unlike many of his contemporaries, such as Oscar Wilde and Alfred Douglas, his disapproval of the Reformation and his admiration for the medieval world and its Roman Catholic ritualism did not fully tempt him away from Anglicanism - though he never fitted comfortably into the Victorian Anglo-Catholic world.