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The Cinema of Powell and Pressburger de Nathalie Morris

The Cinema of Powell and Pressburger

Editat de Nathalie Morris, Claire Smith
en Limba Engleză Hardback – 4 oct 2023
Michael Powell and Emeric Pressburger were true visionaries of British cinema, creating glorious Technicolor masterpieces including A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948). Delving into their magical and obsessive worlds, this lavishly-illustrated publication presents fresh perspectives on the filmmaking duo, shining the spotlight not only on them, but also on their circle of talented collaborators. Thelma Schoonmaker, Caitlin McDonald, Alexandra Harris, Mahesh Rao, Sarah Street, Ian Christie and Marina Warner write about the key figures who shared Powell and Pressburger's creative journey, and Tilda Swinton, Tim Walker, Sarah Greenwood, Michelle Williams Gamaker, Sandy Powell, Joanna Hogg and Stephen Jones reflect on the ways in which Powell and Pressburger's stories and images have haunted and inspired them in their own work. The Cinema of Powell and Pressburger draws on the BFI's stunning design and archive collections, as well as key objects held in other public and private collections.
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Specificații

ISBN-13: 9781838719173
ISBN-10: 1838719172
Pagini: 216
Ilustrații: 250 colour illus
Dimensiuni: 189 x 246 x 20 mm
Greutate: 0.91 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom

Caracteristici

Explores previously overlooked elements of Powell and Pressburger's work: collaboration and influence

Notă biografică

Nathalie Morris is a writer, film historian and curator. She has held senior curatorial positions at the BFI National Archive and the Academy Museum of Motion Pictures in Los Angeles, and has organised exhibitions on many aspects of cinema history including the art of the Hollywood backdrop, Indian cinema posters, women and silent cinema in Britain, and British Hitchcock. Claire Smith is Senior Curator of Special Collections at the BFI National Archive, where she curates filmmakers' paper archives and the photographic and graphic arts collections. She has contributed to publications for the V&A Museum, The Henry Moore Foundation, the Royal Academy, The Courtauld Institute of Art and the BFI, as well as conducting research for exhibitions across these organisations.

Cuprins

A Letter from Tilda Swinton A Letter from Michael Powell to Emeric Pressburger1. INTRODUCTION by Claire Smith and Nathalie Morris A Note on Collaboration by Thelma Schoonmaker 2. EXILES by Caitlin MacDonald Notes from a Photographer by Tim Walker 3. PILGRIMS by Alexandra Harris Notes from a Production Designer by Sarah Greenwood 4. BLACK NARCISSUS by Mahesh Rao Notes from an Artist by Michelle Williams Gamaker 5. STARVED FOR TECHNICOLOR by Sarah Street Notes from a Costume Designer by Sandy Powell6. METAPHORS OF VISION by Ian Christie Notes from a Director by Joanna Hogg7. THE RED SHOES by Marina Warner Notes from a Milliner by Stephen Jones Index

Recenzii

This book is a pleasure to read, full of generous appreciations of Powell and Pressburger's work from a multitude of personal angles.
A lavish volume.
A richly illustrated book . Alongside the films themselves, this splendid book is testament to a unique creative collaboration.
The Cinema of Powell and Pressburger raids the BFI's archive to provide definitive visual gloss on the partnership's career. Gorgeous paintings from the production-design teams. Reproductions of pages from Powell's diary revealing his immaculately vertical penmanship. Lavish promotional stills that work subtle variations on the moving images. No coffee table is complete without it.
A superb acknowledgement of the powerfully collaborative nature of filmmaking . [And] a record of remarkable artistic freedom made possible for a prolifically imaginative director and writer to cast their spells, enthusiasm and love.