The Complete Preludes and Etudes for Pianoforte Solo: Dover Music for Piano
Autor Alexander Scriabin, Classical Piano Sheet Music, Aleksandr Nikolayevich Scriabinen Limba Engleză Paperback – 31 mai 1973
There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing.
This book has been especially designed as a playing edition the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music."
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Specificații
ISBN-13: 9780486229195
ISBN-10: 048622919X
Pagini: 250
Dimensiuni: 229 x 304 x 15 mm
Greutate: 0.68 kg
Editura: Dover Publications
Seria Dover Music for Piano
ISBN-10: 048622919X
Pagini: 250
Dimensiuni: 229 x 304 x 15 mm
Greutate: 0.68 kg
Editura: Dover Publications
Seria Dover Music for Piano
Textul de pe ultima copertă
Alexander Nikolayevitch Scriabin (1872 1915), Russian composer and pianist, is best known for his perfectly spun miniatures where his novel harmonic and pianistic ideas were most brilliantly worked out. This volume in Dover's continuing series of musical scores presents the best of Scriabin's works, his complete etudes and preludes for the solo piano.
There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing.
This book has been especially designed as a playing edition the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music.
A Dover original (1973) edition, reproducing the entire musical contents of "Prelyudii dlya fortepiano" (two volumes, 1966 and 1967) and "Etyudy dlya fortepiano" (1967), edited by K. N. Igumnov and Y. I. Mil'shteyn."
There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing.
This book has been especially designed as a playing edition the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music.
A Dover original (1973) edition, reproducing the entire musical contents of "Prelyudii dlya fortepiano" (two volumes, 1966 and 1967) and "Etyudy dlya fortepiano" (1967), edited by K. N. Igumnov and Y. I. Mil'shteyn."
Descriere
All the preludes and études including many perfectly spun miniatures. Edited by K. N. Igumnov and Y. I. Mil’shteyn.