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The Conscience of the Folk Revival de Scott Barretta

The Conscience of the Folk Revival: American Folk Music and Musicians Series

Autor Scott Barretta
en Limba Engleză Hardback – 18 dec 2012
The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular "Frets and Frails" column for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.
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Specificații

ISBN-13: 9780810883086
ISBN-10: 0810883082
Pagini: 247
Dimensiuni: 155 x 229 x 25 mm
Greutate: 0.5 kg
Editura: Rowman & Littlefield
Seria American Folk Music and Musicians Series

Notă biografică

Scott Barretta is an instructor of sociology at the University of Mississippi, a writer/researcher for the Mississippi Blues Trail, and the host of the Highway 61 radio show on Mississippi Public Broadcasting. He is former editor of the magazines Jefferson (Swedish) and Living Blues and has written for magazines such as MOJO, Oxford American, and SingOut! Israel Goodman ¿Izzy¿ Young, born in Manhattan in 1928, opened the Folklore Center in Greenwich Village in 1957, which sold books, music, and instruments, and served as the unofficial epicenter of the emerging folk music scene. Both on his own and as a founding member of the Friends of Old Time Music, Young staged hundreds of concerts, including most famously Bob Dylan¿s first. From 1959 to 1969 Young chronicled the folk revival through his ¿Frets to Frails¿ column in Sing Out!, where he both documented day-to-day events and also addressed contentious issues including commercialism and copyright. In 1973 Young moved to Stockholm, where he founded the Folklore Centrum.

Descriere

The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular "Frets and Frails" column for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism.