The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema: The New Library of Psychoanalysis
Editat de Andrea Sabbadinien Limba Engleză Paperback – 29 mai 2003
The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including:
- easily readable and jargon-free film reviews.
- essays on specific subjects such as perspectives on the horror film genre and adolescent development.
- transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films.
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Specificații
ISBN-13: 9781583919521
ISBN-10: 158391952X
Pagini: 280
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.52 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria The New Library of Psychoanalysis
Locul publicării:Oxford, United Kingdom
ISBN-10: 158391952X
Pagini: 280
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.52 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria The New Library of Psychoanalysis
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate, Professional, and UndergraduateCuprins
Mulvey, Foreword. Sabbadini, Introduction. Part I: Set and Stage. Bertolucci, Shaw, Mawson, The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie, Stevenson, Taylor Robinson, One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre, Cinema and Psychoanalysis. Part II: Working Through Trauma. Moretti, Golinelli, Bolognini, Sabbadini, Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff, Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers, A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run, Lola, Run (1999). Pedrón de Martín, Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond, Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider, Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell, Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry, Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant, Cinema, Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted, Taylor Robinson, Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie, The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic, Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman, Rosenheimer, Aviad, Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody, Brearley, Filming Psychoanalysis: Feature or Documentary? Two Contributions.
Notă biografică
Andrea Sabbadini is a psychoanalyst in private practice in London and a lecturer at UCL. He is founding editor of Psychoanalysis and History and book review editor of The International Journal of Psychoanalysis. He chairs the European Psychoanalytic Film Festival and a series of film events at the ICA.
Recenzii
'In these days, when psychoanalysis is looking for ways to integrate itself back into the world - into cultural, political, intellectual, and emotional life - a book like this is to be cherished ... It is a gold mine for anyone interested in movies, in psychoanalysis, or in the reciprocity between them' - Anita Weinreb Katz, Journal of the American Psychoanalytic Association, 53(2): 673-679; 2005.
"This is a book which will fascinate all cinema lovers and take its place among the many valuable writings on applied psychoanalysis in Europe" - Serge Firsch, The International Journal of Psychoanalysis
"This is a book which will fascinate all cinema lovers and take its place among the many valuable writings on applied psychoanalysis in Europe" - Serge Firsch, The International Journal of Psychoanalysis
Descriere
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors