The Crescent and the Pen: The Strange Journey of Taslima Nasreen
Autor Hanifa Deenen Limba Engleză Hardback – 29 oct 2006 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780275991678
ISBN-10: 0275991679
Pagini: 292
Dimensiuni: 156 x 235 x 27 mm
Greutate: 0.6 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
ISBN-10: 0275991679
Pagini: 292
Dimensiuni: 156 x 235 x 27 mm
Greutate: 0.6 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
Notă biografică
HANIFA DEEN is Senior Research Fellow at the Centre for Muslim Minorities at Monash University. An award-winning Australian author of Pakistani-Muslim ancestry who writes narrative nonfiction and lives in Melbourne, Deen has held a number of high-profile positions in a career spanning twenty-three years in human rights, ethnic affairs, and immigration, including: Hearing Commissioner with the Human Rights and Equal Opportunity Commission of Australia, Deputy Commissioner of Multicultural Affairs Western Australia, and a Director of Special Broadcasting Services (SBS) Corporation. She now works full-time as a writer, which she sees as the perfect medium for a woman with an irreverent tongue, a maverick-Muslim perspective on life, and a passion to subvert stereotypes wherever they lurk.
Cuprins
AcknowledgmentsSourcesAuthor's NoteThe Snake's Fangs-A ProloguePart I. The Grand Tamasha1. On the Trail of Taslima2. A Cold Red Carpet3. A Tug of Wills4. Fallen Prose of a Fallen WomanPart II. Taslima and the Dragon Slayers5. The Summer of Taslima6. The Dragon Slayer7. German Fairy Tales8. The Land of Rushdie9. Passionate Women10. Missing PiecesMagic and the Law-An EpilogueIndex
Recenzii
[T]his account reflects not only Nasreen's evolution as a writer but also Deen's as a critic. Recommended. Upper-division undergraduates through faculty; general readers.
The conventional story in the West holds that Bangladeshi writer Nasreen spoke out against Islamist fanatics, male oppression, and the curtailment of freedom of expression; was charged by the government with injuring religious sentiment; and was forced to go into hiding and flee her native country in 1994. Deen was puzzled by, for example, the lack of Bangladeshi women defending her, and thought there might be more to the story. Between 1995 and 2000, she conducted over a hundred interviews and traveled not only to Bangladesh several times, but also other places associated with Nasreen, and found a stranger story than she had imagined.
The Crescent and the Pen is less an expose of religious intolerance in Bangladesh than an examination of such issues as Western stereotyping of Islam, the romantic desire for the role of the rescuer, and the disillusionment of the rescuers when they discover that their chosen heroine is far from perfect..[a]s the West steps up its campaign for ideological dissent in the Muslim world, this is an immensely timely reminder that dissidents tend to be unruly beasts rather than plaster saints.
In 1993, Bangladeshi physician, writer, and activist Nasreen was accused of blasphemy, and a fundamentalist group issued a fatwa against her. With a price on her head, she left her home country and now lives in Europe. Her case brought a great deal of attention to Islamic fundamentalism and the persecution of writers, but, as Deen shows, the real story differs in several important ways from the official version, and there are many unanswered questions. For example, why, when writers around the world were coming to Nasreen's defense, did she receive virtually no support within her own country? It's a troubling book because it forces us to consider the possibility that Nasreen wasn't simply a victim of ideological persecution, but it deserves to be read for the author's informative and thoughtful reappraisal of the case. Timely and extremely relevant in the post-9/11 climate.
The Crescent and the Pen is an exciting peek into a world of intrigue and deception, from the first word to the last.
The conventional story in the West holds that Bangladeshi writer Nasreen spoke out against Islamist fanatics, male oppression, and the curtailment of freedom of expression; was charged by the government with injuring religious sentiment; and was forced to go into hiding and flee her native country in 1994. Deen was puzzled by, for example, the lack of Bangladeshi women defending her, and thought there might be more to the story. Between 1995 and 2000, she conducted over a hundred interviews and traveled not only to Bangladesh several times, but also other places associated with Nasreen, and found a stranger story than she had imagined.
The Crescent and the Pen is less an expose of religious intolerance in Bangladesh than an examination of such issues as Western stereotyping of Islam, the romantic desire for the role of the rescuer, and the disillusionment of the rescuers when they discover that their chosen heroine is far from perfect..[a]s the West steps up its campaign for ideological dissent in the Muslim world, this is an immensely timely reminder that dissidents tend to be unruly beasts rather than plaster saints.
In 1993, Bangladeshi physician, writer, and activist Nasreen was accused of blasphemy, and a fundamentalist group issued a fatwa against her. With a price on her head, she left her home country and now lives in Europe. Her case brought a great deal of attention to Islamic fundamentalism and the persecution of writers, but, as Deen shows, the real story differs in several important ways from the official version, and there are many unanswered questions. For example, why, when writers around the world were coming to Nasreen's defense, did she receive virtually no support within her own country? It's a troubling book because it forces us to consider the possibility that Nasreen wasn't simply a victim of ideological persecution, but it deserves to be read for the author's informative and thoughtful reappraisal of the case. Timely and extremely relevant in the post-9/11 climate.
The Crescent and the Pen is an exciting peek into a world of intrigue and deception, from the first word to the last.