The Critical Response to Gloria Naylor: Critical Responses in Arts and Letters
Autor Sharon Felton, Michelle Lorisen Limba Engleză Hardback – 22 sep 1997 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780313300264
ISBN-10: 0313300267
Pagini: 296
Dimensiuni: 156 x 235 x 27 mm
Greutate: 0.57 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Seria Critical Responses in Arts and Letters
Locul publicării:New York, United States
ISBN-10: 0313300267
Pagini: 296
Dimensiuni: 156 x 235 x 27 mm
Greutate: 0.57 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Seria Critical Responses in Arts and Letters
Locul publicării:New York, United States
Notă biografică
SHARON FELTON is a specialist in modern and contemporary American and British literature and women's writing. She has been an Assistant Professor of English at the Waterbury campus of the University of Connecticut and at Austin Peay State University. She is the editor of The Critical Response to Joan Didion (Greenwood, 1993) and has published articles and reviews in The Hollins Critic, Connecticut Review, American Literature, Modern Fiction Studies, Studies in Short Fiction, and other journals.MICHELLE C. LORIS is a Professor at Sacred Heart University, where she teaches American Literature, Women's Studies, and Psychology. She is the author of Innocence, Loss, and Recovery in the Art of Joan Didion (1989). She has published articles on psychology and on a wide range of authors, including Willa Cather, Saul Bellow, Toni Morrison, Kurt Vonnegut, and Edmund Spenser.
Cuprins
Series Foreword by Cameron NorthouseChronologyIntroduction by Sharon Felton and Michelle C. LorisThe Women of Brewster PlaceBeyond the Myth of Confrontation: A Comparative Study of African and African-American Female Protagonists by Ebele EkoA Womanist Way of Speaking: An Analysis of Language in Alice Walker's The Color Purple, Toni Morrison's Tar Baby, and Gloria Naylor's The Women of Brewster Place by Cheryl Lynn JohnsonBlack Feminism and Media Criticism: The Women of Brewster Place by Jacqueline Bobo and Ellen SeiterThe Fathomless Dream: Gloria Naylor's Use of the Descent Motif in The Women of Brewster Place by Maxine L. MontgomeryFrom the Hypocrisy of the Reverend Woods to Mama Day's Faith of the Spirit by James Robert SaundersLinden HillsThe View from the Outside: Black Novels of Manners by Mary F. SisneyDominion and Proprietorship in Gloria Naylor's Mama Day and Linden Hills by Nellie BoydNarrative Structure in Linden Hills by Grace E. CollinsThe Confluence of Food and Identity in Gloria Naylor's Linden Hills: "What We Eat Is Who We Is" by Charles P. Toombs'giving sound to the bruised places in their hearts': Gloria Naylor and Walt Whitman by Christine G. BergMama Day'The Whole Picture' in Gloria Naylor's Mama Day by Susan MeisenhelderThe Magic Circle: Fictions of the Good Mother in Gloria Naylor's Mama Day by Suzanne JuhaszRecovering the Conjure Woman: Texts and Contexts in Gloria Naylor's Mama Day by Lindsey TuckerReconstructing American History: Land and Genealogy in Gloria Naylor's Mama Day by Hélène Christol'The Only Voice is Your Own': Gloria Naylor's Revision of The Tempest by Gary StorhoffGloria Naylor's Mama Day as Magic Realism by Elizabeth T. HayesBailey's CafeAuthority, Multivocality, and the New World Order in Gloria Naylor's Bailey's Cafe by Maxine L. MontgomeryGloria Naylor's Bailey's Cafe: A Panic Reading of Bailey's Narrative by Angela diPaceRipe Plums and Pine Trees: Using Metaphor to Tell Stories of Violence in the Works of Gloria Naylor and Charles Chesnutt by Karah StokesThe Dream Defined: Bailey's Cafe and the Reconstruction of American Cultural Identities by William R. NashLiving with the Abyss in Gloria Naylor's Bailey's Cafe by Philip Page'Two Warring Ideals in One Dark Body': Universalism and Nationalism in Gloria Naylor's Bailey's Cafe by Rebecca S. WoodInterview: The Human Spirit Is a Kick-Ass Thing" by Michelle C. Loris and Sharon FeltonBibliographyIndex