Cantitate/Preț
Produs

The Culture of Male Beauty in Britain: From the First Photographs to David Beckham

Autor Paul R. Deslandes
en Limba Engleză Hardback – 13 dec 2021
A heavily illustrated history of two centuries of male beauty in British culture.
 
Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media.  
 
Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
 
Citește tot Restrânge

Preț: 27654 lei

Preț vechi: 33724 lei
-18% Nou

Puncte Express: 415

Preț estimativ în valută:
5292 5580$ 4405£

Carte disponibilă

Livrare economică 21 decembrie 24 - 04 ianuarie 25
Livrare express 07-13 decembrie pentru 4123 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780226771618
ISBN-10: 022677161X
Pagini: 432
Ilustrații: 16 color plates, 104 halftones
Dimensiuni: 152 x 229 x 36 mm
Greutate: 0.75 kg
Editura: University of Chicago Press
Colecția University of Chicago Press

Notă biografică

Paul R. Deslandes is associate dean for student success in the College of Arts and Sciences at the University of Vermont and is the author of Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. He lives in Shelburne, Vermont.

Cuprins

List of Illustrations

Introduction

Part One Setting the Stage: The Foundations of Modern Male Beauty

Chapter 1 Physiognomists and Photographers
Chapter 2 Beauty Experts and Hairdressing Entrepreneurs
Chapter 3 Artists, Athletes, and Celebrities
Chapter 4 Poets, Soldiers, and Monuments

Part Two Men on Display in the Twentieth and Twenty-First Centuries

Chapter 5 Brylcreem Men, Cinema Idols, and Uniforms
Chapter 6 Teenagers, Bodybuilders, and Models
Chapter 7 Youthful Rebels, Gender-Benders, and Gay Men
Chapter 8 Insecure Men, Metrosexuals, and Spornosexuals

Epilogue

Acknowledgments
Archival Collections Consulted
Notes
Index

Recenzii

"The American historian Deslandes has identified ‘a distinctively British culture of male beauty’ that stretches back two centuries, and he explores this in his wide-ranging and well-illustrated book. . . . both welcome and genuinely illuminating."

"[The Culture of Male Beauty in Britain] is a straightforward history of the way images of male beauty were promulgated in England from the early 1800s to the present, and its strength comes primarily from the photographs, reproductions of advertisements, cartoons from Punch, and other memorabilia Deslandes has been studying and collecting over the years. Above all, it's the photographs. The pictures here really are worth a thousand words."

"In this illustrated volume, historian Deslandes traces the history of two centuries of male beauty in British culture, unpacking high and popular culture's influence on male beauty standards. The book moves across different male figures from disfigured soldiers, physique models, gay men, and celebrities like David Beckham, and explore the connection between beauty, race, youth, empire and degeneration."

"This is a thoroughly researched, clearly written study of how the male visage and the male body has been promoted and received by straight, queer, male, and female eyes over two centuries, with special attention to grooming. Bolstering his thesis with 105 well-chosen figures and 16 color plates, Deslandes contributes a uniquely valuable interpretation of imperial, racial,consumerist, and sexual themes in modern British culture. He examines the creation and public evolution of British male identity and its 20th-century centering in celebrity culture, paying special attention to Rupert Brooke and David Beckham. The author’s discovery and use of previously unknown historical materials is amazing and surprising. With such new and instructive material, this volume deserves the notice of all modern cultural historians. . . . Highly recommended."

"Meticulously researched and richly illustrated. . . [this] book does an admirable job of shedding light on the rich and varied visual culture that since the nineteenth century has had the beautiful male face and body at its center—hairstyles, clothes, physiques, and their meanings may have changed, but beauty, it seems, remained something to be displayed, consumed, collected, and judged, as well as admired."

"This engaging, readable book opens up a rich field of inquiry that will hopefully feed into a revitalized, more expansive approach to masculinity studies in modern British history."

“With a keen eye toward race, gender, and sexuality, Deslandes takes us on a journey across intellectual and health cultures, modes of representation, and the emergence of modern selfhood to chronicle male beauty in Britain across two centuries. In this meticulously researched and richly illustrated book, Deslandes not only chronicles beauty, he has produced it. This is, simply, a gorgeous book.”

“A wonderful and much-anticipated book. Deslandes draws on a wealth of materials, many of which will be new even to expert readers. Taking on the concept of beauty in relationship to masculinity, and doing so over an impressively long period, Deslandes reveals how beauty was central to fashioning the modern self and that British culture was particularly preoccupied with masculine forms of attractiveness.”

“Deslandes skillfully unveils the aesthetic history of British masculinity that has been hiding, as it were, in plain sight. He dispels the common myth that beauty is a historically feminine quality, and vividly demonstrates how ideals of male attractiveness have long mattered in shaping values, identity, sexuality, and social status.”

The Culture of Male Beauty in Britain is an extraordinary work of archival recovery and an important intervention across the histories of masculinities and sexualities, bodies and subjectivities, and mass culture and consumerism in Britain and beyond. Working at the cutting edge of recent work in histories of masculinity, Deslandes insists that we understand masculinity as an aesthetic category as much as a question of experience, culture, or performance. In making this case, he draws upon an astonishing and compelling array of print and material culture, ephemera, and personal testimonies. His stories of hairdressers and male models, pornographers, and ordinary British men will delight, challenge, and often surprise readers.”