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The Dark Side Of The Screen: Film Noir

Autor Foster Hirsch
en Limba Engleză Paperback – 18 apr 2001
Since The Dark Side of the Screen first appeared two decades ago, when film noir was still a little-known group of dark, brooding postwar B-movies, it has become the essential take on what has become one of today's most pervasive screen influences and popular genres. Covering over a hundred outstanding films and offering nearly two hundred carefully chosen stills, this is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. Hirsch examines the features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir icons; as well as the camera angles, lighting effects, and story lines that characterize the work of such major noir directors as Fritz Lag, Billy Wilder, and Orson Welles. With a complete list of credits to 112 films and a new introduction, Hirsch's work remains the classic analysis of the most original genre of American cinema.
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Specificații

ISBN-13: 9780306810398
ISBN-10: 0306810395
Pagini: 248
Dimensiuni: 213 x 279 x 13 mm
Greutate: 0.58 kg
Ediția:Reissue
Editura: Da Capo Press
Colecția Da Capo Press

Notă biografică

Foster Hirsch, the author of fifteen books on film and theater, among them The Dark Side of the Screen: Film Noir and Kurt Weill on Stage , lives in New York City.

Recenzii

Martin Jackson, Cineaste
“Wonderfully readable: Hirsch is clear, knowledgeable, and concise….[The Dark Side of the Screen] is a visual as well as literary pleasure.”
Philip French,The Observer(London)
“There has been no extended work as good as Foster Hirsch’sThe Dark Side of the Screen, a well-written, imaginatively illustrated book that sees the brief, true heyday as between Wilder’sDouble Indemnity(1944) and hisSunset Boulevard(1950), but looks at the prelude and the aftermath, and sets the genre in its larger social and cultural context.”

Skyscraper, Spring 2009
“An important examination of what film noir is…The 264-page treatise is not a review source; rather, Hirsch’s academic work delves deeply with a scholarly but not dry approach.”