The Diez Albums: Contexts and Contents
Julia Gonnella, Friederike Weis, Christoph Rauchen Limba Engleză Paperback – 28 noi 2024
Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
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Specificații
ISBN-13: 9789004699762
ISBN-10: 9004699767
Dimensiuni: 170 x 245 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
ISBN-10: 9004699767
Dimensiuni: 170 x 245 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Notă biografică
Julia Gonnella has studied Islamic Art and Archaeology at the School of Oriental and African Studies, London and took her PhD at the University of Tübingen. For many years she has been excavating in Syria, particularly in Aleppo, and was teaching at the Free University in Berlin. Since 2009 she is curator at the Museum of Islamic Art and has organized numerous exhibitions, including Heroic Times. Thousand years of Shahnama (Berlin 2011 with Christoph Rauch), and How Islamic Art came to Berlin. The Museum Director and Collector Friedrich Sarre (Berlin 2015).
Friederike Weis, PhD (2005), Freie Universität Berlin. She worked as Assistant Curator at the Museum für Indische Kunst in Berlin, held several fellowships and co-curated the exhibition Joseph and Zulaikha: Relations between India, Europe and Persia in the Berlin Kupferstichkabinett in 2014. She is a DFG-researcher at the Staatsbibliothek, with the project: „Autonomous pictures? Figural motifs in Persian drawings and paintings in the Diez albums”.
Christoph Rauch studied Arabic and Islamic studies at Leipzig. Since 2004 he has worked at the Staatsbibliothek zu Berlin, where he was appointed head of the Oriental Department in 2010. He co-organized several conferences on manuscript collections and the history of Oriental studies, most recently the conference “Studies on Johann Gottfried Wetzstein (1815-1905): Manuscripts, Politics and Oriental Studies” in 2015. He is co-editor of The Yemeni Manuscript Tradition (Brill 2015).
Friederike Weis, PhD (2005), Freie Universität Berlin. She worked as Assistant Curator at the Museum für Indische Kunst in Berlin, held several fellowships and co-curated the exhibition Joseph and Zulaikha: Relations between India, Europe and Persia in the Berlin Kupferstichkabinett in 2014. She is a DFG-researcher at the Staatsbibliothek, with the project: „Autonomous pictures? Figural motifs in Persian drawings and paintings in the Diez albums”.
Christoph Rauch studied Arabic and Islamic studies at Leipzig. Since 2004 he has worked at the Staatsbibliothek zu Berlin, where he was appointed head of the Oriental Department in 2010. He co-organized several conferences on manuscript collections and the history of Oriental studies, most recently the conference “Studies on Johann Gottfried Wetzstein (1815-1905): Manuscripts, Politics and Oriental Studies” in 2015. He is co-editor of The Yemeni Manuscript Tradition (Brill 2015).
Recenzii
"The book is a testament to the importance of collaboration among scholars with different types of expertise (historians, art historians and chemists; specialists of Islamic and Chinese art, Ottomanists and Persianists; scholars from diffrent generations) and multiple approaches to the history of art. Together these twenty-two scholars finally do justice to the complex history and contents of the famous Diez albums, making them comprehensible to the scholarly community." - Emine Fetvaci, Boston University, in: Journal of the History and Culture of the Middle East 95/2 (2018)
Cuprins
Julia Gonnella, Friederike Weis, Christoph Rauch Introduction
The Albums and Heinrich Friedrich von Diez
Julian RabyContents & Contexts: Re-Viewing the Diez Albums
David RoxburghMemorabilia of Asia: Diez’s Albums Revisited
Christoph RauchThe Oriental Manuscripts and Albums of Heinrich Friedrich von Diez and the Perception of Persian Painting in his Time
The Diez and the Topkapı Albums
Lâle UluçThe Perusal of the Topkapı Albums: A Story of Connoisseurship
Zeren TanındıRepetition of Illustrations in the Topkapı Palace and Diez Albums
Simon RettigJaʿfar Tabrizi, “Second Inventor” of the Nastaʿlīq Script, and the Diez Albums
The Albums’ Contents: From the Mongols to the Timurids
Charles MelvilleThe Illustration of the Turko-Mongol Era in the Berlin Diez Albums
Yuka KadoiThe Mongols Enthroned
Claus-Peter HaaseLater Mongol and Early Timurid Representations of Rulers in the Diez Albums – Reflecting Changes of Ceremonial and Style
Barbara BrendThe Depiction of Horses in the Diez Albums
Filiz Çakır PhillipBrave Warriors of Diez
The Albums’ Contents: Drawings and Sketches
Yves PorterModels, Sketches and Pounced Drawings in the Diez Albums: First Steps in the Making of Illustrated Manuscripts
Friederike WeisA Persianate Drawing of the Tazza Farnese: a Work by Muhammad Khayyam?
Oliver HahnScientific Investigation of Carbon Inks – an Analytical Challenge
Repatriations: the Diez Albums as a Source for Reconstructing Lost Art
Robert HillenbrandThe Great Mongol Shāhnāma: Some Proposed Repatriations
Bernard O’KaneThe Great Jalayirid Shāhnāma
Massumeh FarhadThe Divan of Sultan Ahmad Jalayir and the Diez and Istanbul Albums
Karin RührdanzIllustrated Messages of Love in the Diez Albums
Europe, China and Istanbul: The Albums in a Broader Perspective
Gülru NecipoğluPersianate Images Between Europe and China: The “Frankish Manner” in the Diez and Topkapı Albums, c. 1350-1450
Ching-Ling WangIconographic Turn: On Chinese Buddhist and Daoist Iconography in the Diez Albums
Serpil BağcıThe Ottomans in Diez’s Collection
Appendix I: Conference Programme
Julia GonnellaAppendix II: Masterpieces from the Serail: The Albums of Heinrich Friedrich von Diez (1751-1817)
List of Contributors
Credits
Index of Names, Places and Subjects
The Albums and Heinrich Friedrich von Diez
Julian RabyContents & Contexts: Re-Viewing the Diez Albums
David RoxburghMemorabilia of Asia: Diez’s Albums Revisited
Christoph RauchThe Oriental Manuscripts and Albums of Heinrich Friedrich von Diez and the Perception of Persian Painting in his Time
The Diez and the Topkapı Albums
Lâle UluçThe Perusal of the Topkapı Albums: A Story of Connoisseurship
Zeren TanındıRepetition of Illustrations in the Topkapı Palace and Diez Albums
Simon RettigJaʿfar Tabrizi, “Second Inventor” of the Nastaʿlīq Script, and the Diez Albums
The Albums’ Contents: From the Mongols to the Timurids
Charles MelvilleThe Illustration of the Turko-Mongol Era in the Berlin Diez Albums
Yuka KadoiThe Mongols Enthroned
Claus-Peter HaaseLater Mongol and Early Timurid Representations of Rulers in the Diez Albums – Reflecting Changes of Ceremonial and Style
Barbara BrendThe Depiction of Horses in the Diez Albums
Filiz Çakır PhillipBrave Warriors of Diez
The Albums’ Contents: Drawings and Sketches
Yves PorterModels, Sketches and Pounced Drawings in the Diez Albums: First Steps in the Making of Illustrated Manuscripts
Friederike WeisA Persianate Drawing of the Tazza Farnese: a Work by Muhammad Khayyam?
Oliver HahnScientific Investigation of Carbon Inks – an Analytical Challenge
Repatriations: the Diez Albums as a Source for Reconstructing Lost Art
Robert HillenbrandThe Great Mongol Shāhnāma: Some Proposed Repatriations
Bernard O’KaneThe Great Jalayirid Shāhnāma
Massumeh FarhadThe Divan of Sultan Ahmad Jalayir and the Diez and Istanbul Albums
Karin RührdanzIllustrated Messages of Love in the Diez Albums
Europe, China and Istanbul: The Albums in a Broader Perspective
Gülru NecipoğluPersianate Images Between Europe and China: The “Frankish Manner” in the Diez and Topkapı Albums, c. 1350-1450
Ching-Ling WangIconographic Turn: On Chinese Buddhist and Daoist Iconography in the Diez Albums
Serpil BağcıThe Ottomans in Diez’s Collection
Appendix I: Conference Programme
Julia GonnellaAppendix II: Masterpieces from the Serail: The Albums of Heinrich Friedrich von Diez (1751-1817)
List of Contributors
Credits
Index of Names, Places and Subjects