The Dominion of Women: The Personal and the Political in Canadian Women's Literature: Contributions in Women's Studies
Autor Wayne Fraseren Limba Engleză Hardback – 29 ian 1991 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780313267499
ISBN-10: 0313267499
Pagini: 216
Dimensiuni: 156 x 235 x 16 mm
Greutate: 0.49 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Women's Studies
Locul publicării:New York, United States
ISBN-10: 0313267499
Pagini: 216
Dimensiuni: 156 x 235 x 16 mm
Greutate: 0.49 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Women's Studies
Locul publicării:New York, United States
Notă biografică
Wayne Fraser, PhD, presently teaches English full-time at Ridley College in St. Catharines, Ontario.
Cuprins
PrefaceIntroduction"A Husbandman as Far as Theory Goes": The Distaff View of Colonization"The Home Has Expanded Until It Has Become the Whole State": Imperialism to Emancipation"Nothing and No One Could Complicate Life Here": Isolationism in the Novels of Ethel Wilson"A Canadian Theme . . . Just as Much a Personal Theme": Margaret Laurence, Canada and the 1960s"To Refuse to Be a Victim": Anti-Americanism in the Early Novels of Margaret Atwood"Still Fighting the Same Bloody Battles as Always": The Diviners and Lady Oracle"Welcome to the 1980s!": A Conservative ConclusionBibliographyIndex
Recenzii
F"raser argues compellingly the tight connection between the personal and the political in Canadian women's fiction. Defining the essence of femininity as a sense of relatedness, Fraser chronologically traces the parallel progress and mutual encouragement of feminism, women's fiction, and Canadian nationalism, meticulously identifying seven stages, from colonial dependence (via Brooke, Traill, Jameson, Moodie) through imperialism to an ambivalent emancipation in the 1920s and 1930s (Duncan, McClung, Ostenso), 1940s and 1950s isolationism (Ethel Wilson), 1960s nationalism (Laurence) and anti-Americanism (Atwood), and a final maturity and (measure of) autonomy in the 1970s and 1980s (again Laurence, Atwood). In firm command of the 17 texts (entirely fiction, not the larger literature the title promises) by 10 authors that he has chosen to illustrate his thesis, Fraser uses massive textual, critical and historical reference in a generally graceful and unforced manner. A useful bibliography and index bring to a close a study which convinces us that women's writing is one of the best places to see what is happening in Canada. Unpretentious and accessible to the literate generalist, the book will be of particular interest and value to upper-level undergraduate students of Canada, of Canadian literature, and of women's writing."