Cantitate/Preț
Produs

The Drawings of G.F. Watts

Autor Chloe Ward
en Limba Engleză Paperback – 3 noi 2015
George Frederic Watts (1817-1904) was one of the nineteenth century's most celebrated British painters. Yet the thousands of drawings he produced during his career, either as studies for paintings or as independent works of art, have been the subject of surprisingly little research. Watts Gallery holds the largest collection of Watts's works on paper, comprising approximately 800 studies, sketches and finished artworks that represent one of the most complete records of a Victorian artist's development. These range from remarkable copies of engravings made when he was a mere ten years old to figurative sketches drawn shortly before his death at the age of 87. Elegant, technical, sensuous and ingenious, Watts's drawings offer unequalled insight into a great artistic imagination. Revealing the choices and changes he made as he developed some of his most celebrated works, the artist's drawings shed new light on his techniques, compositional decisions, and working processes. This book is the first in depth study of Watts's drawings.
Citește tot Restrânge

Preț: 10292 lei

Nou

Puncte Express: 154

Preț estimativ în valută:
1971 2052$ 1635£

Cartea nu se mai tipărește

Doresc să fiu notificat când acest titlu va fi disponibil:

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781781300350
ISBN-10: 1781300356
Pagini: 128
Ilustrații: 110 colour
Dimensiuni: 240 x 280 x 15 mm
Greutate: 0.75 kg
Editura: Bloomsbury Publishing
Colecția Philip Wilson Publishers
Locul publicării:London, United Kingdom

Notă biografică

Chloe Ward is the Curatorial Fellow at Watts Gallery. She received a PhD in the history of art from King's College, Cambridge, and her research focuses on Victorian and Edwardian drawing, illustration and prints.

Cuprins

Table of ContentsIntroduction: The Watts Gallery Drawings CollectionThe scope of the Gallery collectionThe history of the various additions to the collection: Sir Brinsley Ford acquisition, Cohen acquisition, etc.The importance of drawing to Watts's artistic practiceThe Early Drawings: 1827-1843Apprenticeship and training with William Behnes The art of copying: the 1827 emotion studies after Charles le BrunDiscovering the Italian masters: 1828 studies after RaphaelFive shilling portrait drawings to earn money for the familyDrawings in the style of other artists: the 1831 Van Dyck-style self-portrait. Self-portraiture as a place to experiment with new styles and techniquesOriginal self-portraiture: self-portrait as Fright with discussion and comparison to the self-portrait at 17, the 1853 self-portrait as a Venetian senator, and the drawn self-portrait in old ageDrawing and the Artistic ProcessDrawing preparation and training the eyeDraperyElgin marblessketching on scrap paperMaterialsSketchbooksFigure studies, to be used as reference for future painted compositionsPortrait studiesCompositional sketches and thumbnails to be repeated over and over until the forms were memorisedCartoons and drawings for architectureDrawing in oil on paperDrawing a work of art: finished compositions or drawings as a final product following paintingCase studies tracking the development of major works through their sketches and studies, three examples (Orpheus and Eurydice, Love and Life, Physical Energy)Drawings Beyond the StudioDisplay of drawings during Watts's lifetime, including exhibitions and the selective presentation of drawings to friends and visitorsReception: responses to Watts's drawings by contemporaries, the press, the art market Watts and contemporary draftsmenSale: the circulation of drawings during and immediately after Watts's lifetime, including the sales of sanguine chalk drawings recorded in Mary Watts's diaries.ConclusionThe future of the Watts Gallery drawings collectionOther collections of Watts's drawingsFurther areas of inquiry into Watts's drawings and oeuvre