Cantitate/Preț
Produs
Total produse
Vezi coșul
The Ecologies of Amateur Theatre de Helen Nicholson

The Ecologies of Amateur Theatre

Autor Helen Nicholson, Nadine Holdsworth, Jane Milling
en Limba Engleză Paperback – 5 noi 2018
This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?
Citește tot Restrânge

Preț: 32397 lei

Nou

Puncte Express: 486
Preț estimativ în valută:
6199€ • 6472$ • 5131£

Carte tipărită la comandă

Livrare economică 05-19 aprilie

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781137508096
ISBN-10: 1137508094
Pagini: 321
Ilustrații: XII, 343 p. 13 illus.
Dimensiuni: 148 x 210 x 23 mm
Greutate: 0.47 kg
Ediția:1st ed. 2018
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

1. Ecologies of Amateur Theatre.- 2. Valuing Amateur Theatre.- 3. Amateur Repertoires.- 4. Amateur Theatre,Place and Place-Making.- 5. Making Time for Amateur Theatre: Work, Labour and Free Time.- 6. Making Amateur Theatre.- 7. Amateur Theatre: Heritage and Invented Traditions.- 8. Theatre and the Amateur Turn: Future Ecologies.

Recenzii

“This study is a hugely satisfying read, both critical and timely … . The book is both theoretically rich and immensely readable, and it will, I am sure, be a spur to many to take up its challenge; to not only pay more attention to the histories and present practices of amateur theatre, but to begin to look critically at the value hierarchies that dominate the theatre studies discipline more widely as a consequence.” (Liz Tomlin, Journal of Contemporary Drama in English, Vol. 8 (2), 2020)

Notă biografică

Helen Nicholson is Professor of Theatre and Performance at Royal Holloway, University of London, UK. Her books include Applied Drama: The Gift of Theatre (2005/2014), Theatre, Education and Performance (2011), and co-edited collections Performance and Participation (2017) and Critical Perspectives on Applied Theatre (2016). With Nadine Holdsworth and Jane Milling as Co-Investigators, she was Principal Investigator on two research projects on amateur theatre, funded by the Arts and Humanities Research Council. 

Nadine Holdsworth is Professor of Theatre and Performance Studies at the University of Warwick, UK. She has written Joan Littlewood’s Theatre (2011), Theatre & Nation (2010) and Joan Littlewood (2006), edited Theatre and National Identity (2014), and co-edited a special issue of Contemporary Theatre Review on amateur theatre (2017). 

Jane Milling is Associate Professor of Drama at the University of Exeter, UK. She has co-authored Devising Performance (2005/2015), Modern British Playwrighting: the 1980s (2012), and co-edited The Cambridge History of British Theatre: Volume 1 (2004) and Extraordinary Actors (2004).

Textul de pe ultima copertă

This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?

Caracteristici

Explores the contribution that amateur dramatic companies make to the experience and representation of community life Offers a detailed account of the processes of making amateur theatre, locating contemporary practice in an historical context Captures a new era of amateur creativity and the twenty-first century amateur turn