The Eisenstein Reader
Autor Sergei Eizenshteinen Limba Engleză Paperback – sep 1998
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Specificații
ISBN-13: 9780851706764
ISBN-10: 0851706762
Pagini: 211
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.41 kg
Ediția:1998
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 0851706762
Pagini: 211
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.41 kg
Ediția:1998
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
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Cuprins
The
Montage
Of
Attractions
(1923).-
The
Montage
Of
Film
Attractions
(1924).-
The
Problem
Of
The
Materialist
Approach
To
Form
(1925).-
Constanta
(Whither
'The
Battleship
Potemkin'
(1926).-
Eisenstein
On
Eisenstein,
The
Director
Of
'Potemkin'
(1926).-
Bela
Forgets
The
Scissors
(1926).-
Our
'October'.
Beyond
The
Played
And
The
Non-Played
(1928).-
Beyond
The
Shot
(1929).-
The
Dramaturgy
Of
Film
Form
(The
Dialetical
Approach
To
Film
Form)
(1929).-
The
Fourth
Dimension
In
Cinema
(1929).-
'Eh!'
On
The
Purity
Of
Film
Language
(1934).-
The
Mistakes
Of
Behzin
Meadow
(1937).-
Alexander
Nevsky
And
The
Rout
Of
The
Germans
(1938).-
The
Problems
Of
The
Soviet
Historical
Film
(1940).-
Stalin,
Molotov
And
Zhadanov
On
'Ivan
The
Terrible,
Part
Two'
(1947).-
From
Lectures
On
Music
Annd
Colour
In
'Ivan
The
Terrible'
(1947).
Textul de pe ultima copertă
Legendary
director
Sergei
Eisenstein
has
unquestionably
emerged
as
cinema's
most
influential
theorist
and
author
of
some
of
the
most
important
aesthetic
writings
of
the
twentieth
century.
For
the
first
time
in
one
volume,
"The
Eisenstein
Reader"
presents
in
concise,
chronological
form
his
most
significant
work
-
including
his
famous
theories
of
montage
and
articles
on
subjects
as
diverse
as
sound,
film
language,
and
Russian
history.
The
selections
range
from
early
writings
on
his
great
silent
masterpieces
"The
Strike,
October"
and
"The
Battleship
Potemkin,"
to
later
works,
hatched
in
the
increasingly
hostile
and
paranoid
environment
of
Stalin's
Soviet
Union.
Drawn
from
the
acclaimed
four-volume
"Selected
Works,"
this
collection,
which
includes
a
new
introduction
and
explanatory
notes
by
Richard
Taylor
as
well
as
many
illustrations,
further
illuminates
the
startling
originality,
diversity,
and
power
of
the
greatest
and
most
flamboyant
of
all
Russian
filmmakers.