The Emergence of the Professional Watercolourist: Contentions and Alliances in the Artistic Domain, 1760–1824: Routledge Revivals
Autor Greg Smithen Limba Engleză Hardback – 18 dec 2017
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Specificații
ISBN-13: 9781138739567
ISBN-10: 1138739561
Pagini: 288
Dimensiuni: 170 x 244 mm
Greutate: 0.69 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Revivals
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138739561
Pagini: 288
Dimensiuni: 170 x 244 mm
Greutate: 0.69 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Revivals
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction: 'Profession' and the social history of watercolours; Contentions: The development and maintenance of the media hierarchy: watercolours, oils and the Royal Academy; Dangerous associations 1: watercolour and artisanal practices; Dangerous associations 2: professionals and amateurs; Alliances: Creating new markets for watercolours; Establishing professional status and identity, c. 1795-1824; Conclusion: Watercolourists and their art in 1824: Bibliography; Index.
Recenzii
'An impressive text that will powerfully influence the direction of scholarship in late eighteenth-century early nineteenth-century art.'
- Mark Hallett, University of York
'Greg Smith's book is the first full-length account to look in any detail at the complex range of issues surrounding the establishment of the Society, and, as such, is to be welcomed wholeheartedly... while Pyne's influence on later writers, we now realise, had been practically all-pervading, Smith's aim is to step out of his critical shadow and introduce new terms of reference.'
- Timothy Wilcox, British Music writing in the Burlington Magazine
'(a) fascinating and rewarding book ... a book to savour and enjoy ... welcome for its portrayal of economic and social conditions of the time...'
- The Artist
'This is a fascinating contribution to the social history of British art. By showing the way in which artists adept in various practices contributed to the rise of watercolour, and by focussing on the politics inherent in the rivalry between the protagonists of the "new" medium and the old guard of the Royal Academy, Dr Smith shows how important questions about the nature of "high" and "popular" were asked and answered then, questions that are still being posed today.'
- The Art Newspaper
'This deeply impressive study will surely be referred to as a standard work on this topic of many years.'
- Adrian Lewis, The Art Book
- Mark Hallett, University of York
'Greg Smith's book is the first full-length account to look in any detail at the complex range of issues surrounding the establishment of the Society, and, as such, is to be welcomed wholeheartedly... while Pyne's influence on later writers, we now realise, had been practically all-pervading, Smith's aim is to step out of his critical shadow and introduce new terms of reference.'
- Timothy Wilcox, British Music writing in the Burlington Magazine
'(a) fascinating and rewarding book ... a book to savour and enjoy ... welcome for its portrayal of economic and social conditions of the time...'
- The Artist
'This is a fascinating contribution to the social history of British art. By showing the way in which artists adept in various practices contributed to the rise of watercolour, and by focussing on the politics inherent in the rivalry between the protagonists of the "new" medium and the old guard of the Royal Academy, Dr Smith shows how important questions about the nature of "high" and "popular" were asked and answered then, questions that are still being posed today.'
- The Art Newspaper
'This deeply impressive study will surely be referred to as a standard work on this topic of many years.'
- Adrian Lewis, The Art Book
Descriere
This title was first published in 2002: Accounts of the key artists who furthered the development of the art of watercolours have long been a feature of the history of British art, but this is the first book to place the watercolourists' achievement in the broader context of the emergence of a new professional group with its own distinctive identity. Beautifully illustrated and drawing on a wealth of primary research, this book examines the multifarious relationship that evolved between watercolourists and oil painters, artisans and amateurs in this period and, in particular, describes the alliances they forged in order to enhance their status and ensure the commercial viability of their work.