The Empty Church: Theater, Theology, and Bodily Hope
Autor Shannon Craigo-Snellen Limba Engleză Paperback – 8 sep 2016
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Specificații
ISBN-13: 9780190630096
ISBN-10: 0190630094
Pagini: 224
Dimensiuni: 231 x 155 x 18 mm
Greutate: 0.41 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190630094
Pagini: 224
Dimensiuni: 231 x 155 x 18 mm
Greutate: 0.41 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Shannon Craigo-Snell makes an important contribution to the growing conversation between theater studies and Christian theology, especially the ways performance theory can provide important insights into how Christian worship and ethics either enable or fall short of enabling their central task: the formation of Christian disciples... This is an insightful book on worship, practice, and Christian ethics.
There is something intriguing about the inter-disciplinary approach to doing theology. Shannon Craigo-Snell's The Empty Church as a dialogue between the disciplines of performance theory and theology is a case in point...For anyone who desires to transform worship into a vital, experimental, and theologically meaningful experience, this book offers salient insights.
...[A]n illuminating and provoking ecclesiology in dialogue with theater and performance studies.
The Empty Church offers a fascinating theological exploration of how the possibilities and limitations of church can be more profoundly understood through the lens of theater studies. The theater image goes far beyond a rich metaphor to enhance the ecclesiological imagination. Craigo-Snell offers groundbreaking work on the function of bodies, scripture, emotions and performance in worship with this approach. A must read.
If you enjoy making interdisciplinary connections (as I do) there is much to relish here ... it is imaginative and exploratory and well worth reading on that account.
With an enviable combination of erudition, clarity and wit, Shannon Craigo-Snell invites those who think they know what church is, and those who think they know what theatre is, to take another look and think again. Her grasp of the deep connections between them modifies our understanding of both. An exciting contribution to the burgeoning conversation between Christian theology and theater arts.
Church as performance a powerful image for the possibilities of how the church does and could function as a source for forming us through our worship. Craigo-Snell offers a marvelous integration of performance and theater to offer a model of liturgical worship that opens us to holy inspiration that forms us into a people of hope who live in expectation of the presence and grace of God. Powerful reading.
There is something intriguing about the inter-disciplinary approach to doing theology. Shannon Craigo-Snell's The Empty Church as a dialogue between the disciplines of performance theory and theology is a case in point...For anyone who desires to transform worship into a vital, experimental, and theologically meaningful experience, this book offers salient insights.
...[A]n illuminating and provoking ecclesiology in dialogue with theater and performance studies.
The Empty Church offers a fascinating theological exploration of how the possibilities and limitations of church can be more profoundly understood through the lens of theater studies. The theater image goes far beyond a rich metaphor to enhance the ecclesiological imagination. Craigo-Snell offers groundbreaking work on the function of bodies, scripture, emotions and performance in worship with this approach. A must read.
If you enjoy making interdisciplinary connections (as I do) there is much to relish here ... it is imaginative and exploratory and well worth reading on that account.
With an enviable combination of erudition, clarity and wit, Shannon Craigo-Snell invites those who think they know what church is, and those who think they know what theatre is, to take another look and think again. Her grasp of the deep connections between them modifies our understanding of both. An exciting contribution to the burgeoning conversation between Christian theology and theater arts.
Church as performance a powerful image for the possibilities of how the church does and could function as a source for forming us through our worship. Craigo-Snell offers a marvelous integration of performance and theater to offer a model of liturgical worship that opens us to holy inspiration that forms us into a people of hope who live in expectation of the presence and grace of God. Powerful reading.
Notă biografică
Shannon Craigo-Snell is Professor of Theology at Louisville Presbyterian Theological Seminary.