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The Faber Pocket Guide to Musicals

Autor James Inverne
en Limba Engleză Paperback – 31 aug 2009
With hit TV shows picking the leads in productions of Oliver! and The Sound Of Music, and smash musicals like Hairspray and Wicked all the West End rage, musical theatre is as popular as it's ever been. James Inverne provides an indispensable guide to his top one hundred greatest shows of all time - and ten of the worst. Whether you know your Pal Joey from The Producers, your West Side Story from your Witch Witch, the Faber Pocket Guide To Musicals is packed with entertaining behind-the-scenes stories, essential songlists and comprehensive recording guides. Did you know, for instance, that one of the best recordings of Les Miserables is in Hebrew? Or that the Mel Brooks wasn't the first person to want to make a musical of The Producers (it was Eric Idle)? Or the ridiculous story of the huge purpose-built theatre constructed in Holland to house a flop about Grace Kelly?

Key features include:
The hundred greatest musicals
Numbers to listen for
Snapshot plot summaries
Ten terrible musicals
Recommended recordings

James Inverne has been writing about musical theatre for years and brings copious knowledge, passion for the subject and a sense of fun to a genre that continues to entertain us all. Make the most of the musicals with this vital book.
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Specificații

ISBN-13: 9780571237517
ISBN-10: 0571237517
Pagini: 304
Dimensiuni: 112 x 175 x 20 mm
Greutate: 0.23 kg
Editura: Faber and Faber
Locul publicării:United Kingdom

Descriere

James Inverne provides an indispensable guide to his top one hundred greatest shows of all time - and ten of the worst. Whether you know your Pal Joey from The Producers, your West Side Story from your Witch Witch, the Faber Pocket Guide To Musicals is packed with entertaining behind-the-scenes stories, essential songlists and comprehensive recording guides. Did you know, for instance, that one of the best recordings of Les Miserables is in Hebrew? Or that Mel Brooks wasn't the first person to want to make a musical of The Producers? (That claim goes to Eric Idle.) Or the ridiculous story of the huge purpose-built theatre constructed in Holland to house a flop about Grace Kelly?