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The Female Body: Perspectives of Latin American Artists: Contributions in Women's Studies

Autor Raysa E. Gómez-Quintero, Mireya Pérez Bustillo
en Limba Engleză Hardback – 29 noi 2001 – vârsta până la 17 ani
Including both narratives and visual texts by and about Latina women, Amador Gómez-Quintero and Pérez Bustillo address the question of how women represent themselves. Utilizing paintings, novels, photographs, memoirs, and diaries this work examines the depiction of the female body in 20th-century creative expression. From writers such as Julia Alvarez and Christina Garcia to artists including Frida Kahlo and Ana Mendieta, it provides both a broad outline and a finely detailed exploration of how a largely overlooked community of creative women have seen, drawn, photographed, and written about their own experience.The authors discuss women as both agent and subject of artistic representation often comparing both fictional and nonfictional versions of the same woman. Not only do they analyze Elena Poniatowska's Dear Diego, which centers on artist Angelina Beloff, but they also analyze Beloff's own memoirs. Continuing in this style, they make further comparisons between Frida Kahlo's Diary and visual images of her body. Connections such as these are what make their work not merely an articulation of imagery but an explanation of ideas.
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Specificații

ISBN-13: 9780313311208
ISBN-10: 031331120X
Pagini: 160
Dimensiuni: 156 x 235 x 18 mm
Greutate: 0.39 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Women's Studies

Locul publicării:New York, United States

Notă biografică

RAYSA E. AMADOR GÓMEZ-QUINTERO, is an Associate Professor of Spanish Language and Literature, and Director of the Latin American Program at Adelphi University. She is the author of Una Aproximación Histórica a los Comentarios Reales.MIREYA PÉREZ BUSTILLO is an Associate Professor of Spanish at the College of New Rochelle, and a University Associate at New York University. She is the author of Carreras: Casos en la Comunidad and La Pícara y la Dama.

Cuprins

PrefaceIntroductionConstructing the Self: The "I" of the Novel: Elena Poniatowska's Quiela (Dear Diego), and Tina (Tinísima)Contrasting Selves: The Novel and the Memoir: Poniatowska's Dear Diego and Angelina Beloff's MemoriasTransforming the Gaze: The "I" of the Camera: Tina Modotti's PhotographsDissecting the Self: Visual and Written Subjectivity: Frida Kahlo's DiaryInscribing the Body: Latina's Narrative and Visual RepresentationWorks CitedIndex