Cantitate/Preț
Produs
Total produse
Vezi coșul
The French Road Movie de Neil Archer

The French Road Movie: Berghahn on Film

Autor Neil Archer
en Limba Engleză Hardback – 31 oct 2012
Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analyzing transformations in social, political and film-industrial contexts...
Citește tot Restrânge

Din seria Berghahn on Film

  • Avant-Garde to New Wave
    Preț: 25433 lei
  • 23% Screening Nature
    Preț: 73632 lei

Preț: 73212 lei

Preț vechi: 95081 lei
-23% Nou

Puncte Express: 1098
Preț estimativ în valută:
14011€ • 14554$ • 11638£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780857457707
ISBN-10: 0857457705
Pagini: 208
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.45 kg
Editura: BERGHAHN BOOKS INC
Seria Berghahn on Film

Notă biografică

Neil Archer teaches Film Studies at Anglia Ruskin University. He is the author of a study guide to The Bourne Ultimatum (Auteur, 2012) andis currently undertaking long-term research into the relationship between European and American cinemas, with a particular interest in the recent films of Woody Allen.

Cuprins

Acknowledgements Note on translations Introduction: Locating the Road Movie Chapter 1. Road to Autopia: Les Valseuses and Le Plein de super Chapter 2. 'Capturing Freedom': Marginality and the Road Movie Chapter 3. No Place Like Home: Camping it Up in Drole de Felix Chapter 4. Nowhere Men: Masculinity and the Road Movie Chapter 5. From Flanerie to Glanerie : The Possibilities of a 'Feminine Road Movie' Chapter 6. Travel and the Transnational Road Movie in the Twenty-First Century Afterword: 'Welcome to France!': The Road Movie and French National Cinema Filmography Bibliography

Recenzii

"This is a well conceived and interesting book. The arguments combine cultural width and analytical detail, and are coherent and persuasive. There is a solid theoretical basis which is clearly explained but never intrusive." * Wendy Everett, University of Bath "There is much of interest in this book and it provides some very interesting and at times innovative readings of an important body of films and of a French inflection of the road movie genre. For this it is to be commended and I certainly think a work on this topic is timely and much needed." * Lucy Mazdon, University of Southampton