The Future of an Illusion: Film, Feminism, and Psychoanalysis: Media and Society, cartea 2
Autor Constance Penleyen Limba Engleză Paperback – 26 iun 1989
The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory.
Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura,she is the editor of Feminism and Film Theory.
The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory.
Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura,she is the editor of Feminism and Film Theory.
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Specificații
ISBN-13: 9780816617722
ISBN-10: 0816617724
Pagini: 232
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.32 kg
Ediția:Minnesota Archive Editions
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
Seria Media and Society
ISBN-10: 0816617724
Pagini: 232
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.32 kg
Ediția:Minnesota Archive Editions
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
Seria Media and Society
Notă biografică
Constance Penley is professor of Film and Media Studies at the University of California Santa Barbara and the co-director of the Center for Film, Television and New Media.
Textul de pe ultima copertă
Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.