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The Future of Television: Cultural Trajectories of Media Consumption in the Digital Age of Emotion: Routledge Advances in Sociology

Autor Abílio Almeida
en Limba Engleză Hardback – 27 noi 2024
The book is divided into two sections: one focusing on the phenomenon of television and the other on audiences. It argues that television is changing from a singular object, fixed in a particular place, to a social phenomenon distributed across many devices and platforms. It also argues that audiences are increasingly demanding an ‘open relationship’ with television, as their attention is often distributed across multiple devices and platforms simultaneously. In addition to these aspects, we analyse the evolution of television since its inception, the need for a renewed public service 2.0 in tune with our times, the increasing dominance of talk shows and infotainment, and the new power of television combined with artificial intelligence. These and many other topics are covered in this book, which will be of interest to television professionals, academics in sociology, media studies and various other fields.
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Specificații

ISBN-13: 9781032911625
ISBN-10: 103291162X
Pagini: 100
Ilustrații: 2
Dimensiuni: 138 x 216 x 11 mm
Greutate: 0.29 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Sociology

Locul publicării:Oxford, United Kingdom

Public țintă

Academic and Postgraduate

Cuprins

New television, new questions: An introduction      
 
Part I. Television       
1. The Evolution of Television: Past, Present, and Future    
2. The New Television: Old Ideas in a New World  
 
Part II. Audiences      
3. A New Era of Television: An Old Role for the Viewer    
4. The Future of Television: What Awaits Us?         
 
The Television of Tomorrow: A (Non) Conclusion  
Supplemental topics  
Afterword, by Dominique Wolton
 
Index  

Notă biografică

Abílio Almeida is Integrated Researcher at the Center for Communication and Society Studies, University of Minho, Portugal.

Descriere

The book is divided into two sections: one focusing on the phenomenon of television and the other on audiences. It argues that television is changing from a singular object, fixed in a particular place, to a social phenomenon distributed across many devices and platforms.