The Gatekeeper: Narrative Voice in Plato's Dialogues: Brill's Plato Studies Series, cartea 2
Autor Margalit Finkelbergen Limba Engleză Hardback – 7 noi 2018
The main conclusion of the book is that in Plato the plurality of the speakers’ opinions is not accompanied by a plurality of points of view. Only one perspective is available, that of the narrator. Contrary to the widespread view, Plato’s dialogues cannot be considered multivocal, or “dialogic” in Bakhtin’s sense. By skillful use of narrative voice, Plato unobtrusively regulates the readers’ reception and response. The narrator is the dialogue’s gatekeeper, a filter whose main function is to control how the dialogue is received by the reader by sustaining a certain perspective of it.
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Specificații
ISBN-13: 9789004390010
ISBN-10: 9004390014
Dimensiuni: 155 x 235 mm
Greutate: 0.43 kg
Editura: Brill
Colecția Brill
Seria Brill's Plato Studies Series
ISBN-10: 9004390014
Dimensiuni: 155 x 235 mm
Greutate: 0.43 kg
Editura: Brill
Colecția Brill
Seria Brill's Plato Studies Series
Cuprins
Preface
Abbreviations
1Introduction
1 “Diegesis through mimesis”: Classification of Narrative Genres in Republic 3
2 The Theaetetus Passage
3 Plato as Literary Author
4 Narrative Voice in Plato’s Dialogues
5 Plato’s Narrator and Narrative Theory: Some Necessary Adjustments
2The Explicit Narrator: Narrated Dialogues
1 Introducing the Narrated Dialogues
2 A Single Narrator (the Charmides, Lysis, Republic)
3 Multiple Narrators (the Parmenides)
4 Conclusions
3The Implicit Narrator: Dramatic Dialogues
1 Introducing the Dramatic Dialogues
2 The Theaetetus as a Test Case
3 Bifocality or a Single Focus of Perception? (the Euthyphro, Crito, Menexenus vs. the Ion and Hippias Maior)
4 An implicit narrator-hero (the Cratylus, Meno, Phaedrus, Laws)
5 An implicit narrator-observer (the Hippias Minor, Laches, Gorgias, Philebus)
6 Socrates as an implicit narrator-observer (the Sophist, Statesman, Timaeus, Critias)
7 Conclusions
4The Explicit and the Implicit Narrator Combined: Mixed Dialogues
1 Introducing the Mixed Dialogues
2 The Protagoras
3 The Euthydemus
4 The Phaedo
5 The Symposium
6 The Theaetetus
7 Conclusions
5Plato’s Experiments with Narrative Voice
1 Preliminary Remarks
2 A Single Focus of Perception
3 Multiple Narrative Levels
4 Abandonment of the Narrated Form
5 Conclusions
6The Limits of Authority
1 Preliminary Remarks
2 The Narrator’s Text
3 Change of Interlocutor
4 Metanarrative Comments
5 Distribution and clustering: Three Case Studies
6 Conclusions
7The Narrator and the Author
1 Poetry and painting in Republic 10
2 The Body of the Dialogue
3 The Gardens of Adonis
4 Mimesis and Reality
5 Representation of Narration
6 Conclusions
Bibliography
Index of Passages Cited
General Index
Abbreviations
1Introduction
1 “Diegesis through mimesis”: Classification of Narrative Genres in Republic 3
2 The Theaetetus Passage
3 Plato as Literary Author
4 Narrative Voice in Plato’s Dialogues
5 Plato’s Narrator and Narrative Theory: Some Necessary Adjustments
Part 1: The Dialogues
2The Explicit Narrator: Narrated Dialogues
1 Introducing the Narrated Dialogues
2 A Single Narrator (the Charmides, Lysis, Republic)
3 Multiple Narrators (the Parmenides)
4 Conclusions
3The Implicit Narrator: Dramatic Dialogues
1 Introducing the Dramatic Dialogues
2 The Theaetetus as a Test Case
3 Bifocality or a Single Focus of Perception? (the Euthyphro, Crito, Menexenus vs. the Ion and Hippias Maior)
4 An implicit narrator-hero (the Cratylus, Meno, Phaedrus, Laws)
5 An implicit narrator-observer (the Hippias Minor, Laches, Gorgias, Philebus)
6 Socrates as an implicit narrator-observer (the Sophist, Statesman, Timaeus, Critias)
7 Conclusions
4The Explicit and the Implicit Narrator Combined: Mixed Dialogues
1 Introducing the Mixed Dialogues
2 The Protagoras
3 The Euthydemus
4 The Phaedo
5 The Symposium
6 The Theaetetus
7 Conclusions
Part 2: The Interpretation
5Plato’s Experiments with Narrative Voice
1 Preliminary Remarks
2 A Single Focus of Perception
3 Multiple Narrative Levels
4 Abandonment of the Narrated Form
5 Conclusions
6The Limits of Authority
1 Preliminary Remarks
2 The Narrator’s Text
3 Change of Interlocutor
4 Metanarrative Comments
5 Distribution and clustering: Three Case Studies
6 Conclusions
7The Narrator and the Author
1 Poetry and painting in Republic 10
2 The Body of the Dialogue
3 The Gardens of Adonis
4 Mimesis and Reality
5 Representation of Narration
6 Conclusions
Bibliography
Index of Passages Cited
General Index
Notă biografică
Margalit Finkelberg, Ph.D. (1985), Hebrew University, is Professor of Classics (Emerita) at Tel Aviv University. She has published monographs and numerous articles on ancient Greek subjects, including The Birth of Literary Fiction in Ancient Greece (Clarendon Press: Oxford 1998) and Greeks and Pre-Greeks: Aegean Prehistory and Greek Heroic Tradition (Cambridge University Press: Cambridge 2005).
Recenzii
“Margalit Finkelberg’s book offers a useful contribution to the literary analysis of Platonic dialogue, in applying the technical methods of narratology to the construction of individual dialogues. […] Plato scholars will find it a useful resource, confirming some suspicions about Plato’s art and demanding a more careful reading of the dialogues as works of fiction. [...] Finkelberg leaves readers in no doubt of Plato’s narrative control and the limited access he provides readers to his fictional world. But she leaves readers to draw their own conclusions about the philosophical and political consequences of that narrative control.” - Carol Atack, Newnham College, Bryn Mawr Classical Review 2019.12.34.