The Great Movies IV
Autor Roger Ebert Introducere de Chaz Ebert Cuvânt înainte de Matt Zoller Seitzen Limba Engleză Hardback – 28 sep 2016
No film critic has ever been as influential—or as beloved— as Roger Ebert. Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere “thumbs up” or “thumbs down.” Readers could always sense the man behind the words, a man with interests beyond film and a lifetime’s distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.
The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert.
A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.
The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert.
A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.
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Specificații
ISBN-13: 9780226403984
ISBN-10: 022640398X
Pagini: 288
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.51 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 022640398X
Pagini: 288
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.51 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Roger Ebert (1942–2013) was a Pulitzer Prize–winning film critic for the Chicago Sun-Times. In 1975, he teamed up with Gene Siskel of the Chicago Tribune to host the popular Sneak Peaks movie review program on PBS, which he continued for more than thirty-five years, including at Tribune Entertainment and Disney/Buena Vista Television. He is the author of numerous books, including Awake in the Dark: The Best of Roger Ebert; the Great Movies collections; and a memoir, Life Itself.
Cuprins
Foreword by Matt Zoller Seitz
Introduction by Chaz Ebert
Selections from the Introductions to the Previous Volumes
25th Hour
A. I. Artificial Intelligence
An Autumn Afternoon
Badlands
The Ballad of Narayama
Barry Lyndon
The Big Lebowski
The Cabinet of Dr. Caligari
Caché
La Ceremonie
The Circus
La Collectionneuse
Come and See
Contact
Day for Night
Departures
Diary of a Country Priest
Diary of a Lost Girl
Eternal Sunshine of the Spotless Mind
French Cancan
The Grey Zone
The Hairdresser’s Husband
Harakiri
Heart of Glass
In a Lonely Place
Ivan the Terrible, Parts I and II
The Killing
Leon Morin, Priest
Lost in Translation
Make Way for Tomorrow
A Man Escaped
The Man Who Shot Liberty Valance
Man with a Movie Camera
The Match Factory Girl
Mon oncle d’Amerique
Monsieur Hire
Mulholland Dr.
Mystery Train
Night Moves
Nosferatu the Vampyre
The Only Son
Pale Flower
Pink Floyd: The Wall
The Pledge
Red Beard
Richard III
Rio Bravo
Senso
Seven
Shadow of a Doubt
Shoah
Smiles of a Summer Night
Souls for Sale
The Spirit of the Beehive
Spirited Away
Spring, Summer, Fall, Winter . . . and Spring
Stagecoach
Superman
Tender Mercies
Veronika Voss
Viridiana
Yellow Submarine
Introduction by Chaz Ebert
Selections from the Introductions to the Previous Volumes
25th Hour
A. I. Artificial Intelligence
An Autumn Afternoon
Badlands
The Ballad of Narayama
Barry Lyndon
The Big Lebowski
The Cabinet of Dr. Caligari
Caché
La Ceremonie
The Circus
La Collectionneuse
Come and See
Contact
Day for Night
Departures
Diary of a Country Priest
Diary of a Lost Girl
Eternal Sunshine of the Spotless Mind
French Cancan
The Grey Zone
The Hairdresser’s Husband
Harakiri
Heart of Glass
In a Lonely Place
Ivan the Terrible, Parts I and II
The Killing
Leon Morin, Priest
Lost in Translation
Make Way for Tomorrow
A Man Escaped
The Man Who Shot Liberty Valance
Man with a Movie Camera
The Match Factory Girl
Mon oncle d’Amerique
Monsieur Hire
Mulholland Dr.
Mystery Train
Night Moves
Nosferatu the Vampyre
The Only Son
Pale Flower
Pink Floyd: The Wall
The Pledge
Red Beard
Richard III
Rio Bravo
Senso
Seven
Shadow of a Doubt
Shoah
Smiles of a Summer Night
Souls for Sale
The Spirit of the Beehive
Spirited Away
Spring, Summer, Fall, Winter . . . and Spring
Stagecoach
Superman
Tender Mercies
Veronika Voss
Viridiana
Yellow Submarine
Recenzii
“Ebert’s take-no-prisoners essays packed with insidery insights will send movie lovers back to the sofa for a second look at old favorites like Cool Hand Luke and My Fair Lady while introducing more offbeat picks like Sansho the Bailiff and Pixote.”
“Ebert offers informed critical appraisals, as well as background on the movies’ making and significance, that make these pieces rewarding for film buffs and ideal introductions for first-time viewers.”
“No one has done as much as Ebert to connect the creators of movies with their consumers. He has immense power, and he’s used it for good, as an apostle of the cinema.”
“Essential. . . . especially for those owning Ebert’s first collections.”