The Helmet of Horror: The Myth of Theseus and the Minotaur: Myths
Autor Victor Pelevin Traducere de Andrew Bromfielden Limba Engleză Paperback – 31 mar 2007
Labyrinth (noun): An intricate structure of intercommunicating passages, through which it is difficult to find one's way without a clue; a maze.
They have never met; they have been assigned strange pseudonyms; they inhabit identical rooms which open out onto very different landscapes; and they have entered into a dialogue which they cannot escape - a discourse defined and destroyed by the Helmet of Horror. Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown.
Victor Pelevin has created a mesmerising world where the surreal and the hyperreal collide. The Helmet of Horror is structured according to the internet exchanges of the twenty-first century, yet instilled with the figures and narratives of classical mythology. It is a labyrinthine examination of epistemological uncertainty that radically reinvents the myth of Theseus and the Minotaur for an age where information is abundant but knowledge seems ultimately unattainable.
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Specificații
ISBN-13: 9781841959122
ISBN-10: 184195912X
Pagini: 274
Dimensiuni: 127 x 193 x 18 mm
Greutate: 0.28 kg
Ediția:First Trade Paper Edition
Editura: Canongate Books
Seria Myths
ISBN-10: 184195912X
Pagini: 274
Dimensiuni: 127 x 193 x 18 mm
Greutate: 0.28 kg
Ediția:First Trade Paper Edition
Editura: Canongate Books
Seria Myths
Descriere
Victor Pelevin, the iconoclastic and wildly interesting contemporary Russian novelist who The New Yorker named one of the Best European Writers Under 35, upends any conventional notions of what mythology must be with his unique take on the myth of Theseus and the Minotaur. By creating a mesmerizing world where the surreal and the hyperreal collide, The Helmet of Horror is a radical retelling of the myth of Theseus and the Minotaur set in an Internet chat room. They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms that open out onto very different landscapes, and they have entered a dialogue they cannot escape — a discourse defined and destroyed by the Helmet of Horror. Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown. The Helmet of Horror is structured according to the way we communicate in the twenty-first century — using the Internet — yet instilled with the figures and narratives of classical mythology. It is a labyrinthine examination of epistemological uncertainty that radically reinvents this myth for an age where information is abundant but knowledge ultimately unattainable.