An early masterwork among American literary treatments of miscegenation, Chesnutt's story is of two young African Americans who decide to pass for white in order to claim their share of the American dream. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Charles Waddell Chesnutt (1858-1932)-African-American educator, lawyer, and activist-was the most prominent black prose author of his day. In both his fiction and his essays, he addressed the thorny issues of the "color line" and racism in an outspoken way. Despite the critical acclaim resulting from several works of fiction and non-fiction published between 1898 and 1905, he was unable to make a living as an author. He kept writing, however, and several works which were not published during his lifetime have been rediscovered (and published) in recent years. He was awarded the Springarn Medal for distinguished literary achievement by the NAACP in 1928. The library at Fayetteville State University, in North Carolina, is named after him. The Wife of His Youth (1899) was Chesnutt's second collection of short stories, drawing upon his mixed race heritage. These deal largely with race relations, the far-reaching effects of Jim Crow laws, and color prejudice among African Americans toward darker-skinned blacks. Eric J. Sundquist wrote: "Chesnutt's color-line stories, like his conjure tales, are at their best haunting, psychologically and philosophically astute studies of the nation's betrayal of the promise of racial equality and its descent into a brutal world of segregation. He made the family a means of delineating America's racial crisis, during slavery and afterward." I have added three of Chesnutt's essays on the "color line" in an Appendix to this collection.