The Impossible Mourning of Jacques Derrida
Autor Sean Gastonen Limba Engleză Hardback – 30 apr 2006
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Specificații
ISBN-13: 9780826490353
ISBN-10: 0826490352
Pagini: 162
Dimensiuni: 129 x 198 x 17 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:London, United Kingdom
ISBN-10: 0826490352
Pagini: 162
Dimensiuni: 129 x 198 x 17 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:London, United Kingdom
Caracteristici
Sean Gaston is a leading scholar who was himself acquainted with Derrida - this book traces his own mourning while examining the idea of the impossibility of mourning in Derrida's work.
Cuprins
1. The Precedant (12-29 October 2004)
2. Histories-Décalages (1-30 November 2004)
3. The Gap Moves (1-17 December 2004)
2. Histories-Décalages (1-30 November 2004)
3. The Gap Moves (1-17 December 2004)
Recenzii
"A sincere enactment of what Derrida practiced: turning what we read into writing ... When you finish this book you are left wanting more ... The book is a loving, respectful and deeply scholarly goodbye through practicing what the teacher taught." -Gerry Coulter, Professor of Sociology, Bishop's University, Canada in the Canadian Journal of Sociology Online
"Sean Gaston's The Impossible Mourning of Jacques Derrida, written during the ten weeks after Derrida's death, takes the form of a philosophical journal containing daily entries (although not without gaps) which see the author struggling to respond to the question of mourning, both in relation to Derrida's passing and in regard to the intricately knotted threads in Derrida's own thought which tie philosophy to mourning and death...The final words, upon which the book's end equivocates, stopping without coming to a full stop, begin by recalling the sense of disbelief that accompanies Derrida's own dream about hearing news of his father's death. Here, at last, Gaston struggles with what is impossible about death's in-finitude, that which always and yet never punctuates once and for all: And then it just stops, And never stops, Stopping In every sense, this book discomposed me." -Simon Morgan Wortham, University of Portsmouth, Symploke, Vol. 15.1/2, 2008
"Speaking of the irreducible unbridgeable gap left behind by the death of French philosopher-theorist Jacques Derrida in October 2004, in the opening remarks to this book, Gaston asks, 'How does one respond to the death of Jacques Derrida? How does one mourn for Derrida, who warned of the dangers of mourning (as idealization and interiorisation), while insisting that mourning is, both unavoidable and impossible?' (25) His answer to this (of course) impossible question, laid bare in a philosophical diary of 52 days following Derrida's funeral, involves a detailed re-examination of his own Derridean inheritance. It is, at the same time, an examination of the very nature of mourning and an exploration of the gap(s) (écartes) and the history of the gap in Derrida's work...Gaston's book is highly personal (and painful), challenging and complex work which despite a style eerily reminiscent of the master, and a notable lack of any criticism of the great man as such, still manages to avoid the monu-memorialisation of Jacques Derrida he so feared, and to offer even the initiated something new. As Gaston quotes approvingly in the course of the book, 'To write is always to rave, a little' (75), which can mean to show signs of madness, talking 'wildly, furiously, deliriously', or to be 'infatuated, laudatory, enthusiastic', to wander, stray, tear, pry, poke; Gaston does all of these things after Derrida and is to be applauded for it." -Sally Hart, Philosophy in Review
'As I closed the book I came across Derrida's last letter to me ... As I stared at the envelope with Derrida's signature on the upper left hand corner and at my own name and address in his handwriting, and read the short gracious letter again, I thought, what I am feeling now - reading the traces of one who has just died - this was what Derrida meant by writing ... There and not there. Still here and, already, not here.' - Sean Gaston, After Derrida
"Sean Gaston's The Impossible Mourning of Jacques Derrida, written during the ten weeks after Derrida's death, takes the form of a philosophical journal containing daily entries (although not without gaps) which see the author struggling to respond to the question of mourning, both in relation to Derrida's passing and in regard to the intricately knotted threads in Derrida's own thought which tie philosophy to mourning and death...The final words, upon which the book's end equivocates, stopping without coming to a full stop, begin by recalling the sense of disbelief that accompanies Derrida's own dream about hearing news of his father's death. Here, at last, Gaston struggles with what is impossible about death's in-finitude, that which always and yet never punctuates once and for all: And then it just stops, And never stops, Stopping In every sense, this book discomposed me." -Simon Morgan Wortham, University of Portsmouth, Symploke, Vol. 15.1/2, 2008
"Speaking of the irreducible unbridgeable gap left behind by the death of French philosopher-theorist Jacques Derrida in October 2004, in the opening remarks to this book, Gaston asks, 'How does one respond to the death of Jacques Derrida? How does one mourn for Derrida, who warned of the dangers of mourning (as idealization and interiorisation), while insisting that mourning is, both unavoidable and impossible?' (25) His answer to this (of course) impossible question, laid bare in a philosophical diary of 52 days following Derrida's funeral, involves a detailed re-examination of his own Derridean inheritance. It is, at the same time, an examination of the very nature of mourning and an exploration of the gap(s) (écartes) and the history of the gap in Derrida's work...Gaston's book is highly personal (and painful), challenging and complex work which despite a style eerily reminiscent of the master, and a notable lack of any criticism of the great man as such, still manages to avoid the monu-memorialisation of Jacques Derrida he so feared, and to offer even the initiated something new. As Gaston quotes approvingly in the course of the book, 'To write is always to rave, a little' (75), which can mean to show signs of madness, talking 'wildly, furiously, deliriously', or to be 'infatuated, laudatory, enthusiastic', to wander, stray, tear, pry, poke; Gaston does all of these things after Derrida and is to be applauded for it." -Sally Hart, Philosophy in Review
'As I closed the book I came across Derrida's last letter to me ... As I stared at the envelope with Derrida's signature on the upper left hand corner and at my own name and address in his handwriting, and read the short gracious letter again, I thought, what I am feeling now - reading the traces of one who has just died - this was what Derrida meant by writing ... There and not there. Still here and, already, not here.' - Sean Gaston, After Derrida