The Incomparable Atuk: New Canadian Library
Autor Mordecai Richler Peter Gzowskien Limba Engleză Paperback – 30 sep 1989
Richler’s hilarious and devastating satire lampoons the self-deceptions of “the Canadian identity” and derides the hypocrisy of a nation that seeks cultural independence by slavishly pursuing the American dream.
Preț: 55.92 lei
Nou
Puncte Express: 84
Preț estimativ în valută:
10.70€ • 11.12$ • 8.89£
10.70€ • 11.12$ • 8.89£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780771099731
ISBN-10: 0771099738
Pagini: 192
Dimensiuni: 109 x 178 x 12 mm
Greutate: 0.11 kg
Editura: New Canadian Library
Seria New Canadian Library
ISBN-10: 0771099738
Pagini: 192
Dimensiuni: 109 x 178 x 12 mm
Greutate: 0.11 kg
Editura: New Canadian Library
Seria New Canadian Library
Notă biografică
Mordecai Richler was born in Montreal, Quebec, in 1931. Raised there in the working-class Jewish neighbourhood around St. Urbain Street, he attended Sir George Williams College (now a part of Concordia University). In 1951 he left Canada for Europe, settling in London, England, in 1954. Eighteen years later, he moved back to Montreal. Novelist and journalist, screenwriter and editor, Richler, one of our most acclaimed writers, spent much of his career chronicling, celebrating, and criticizing the Montreal and the Canada of his youth. Whether the settings of his fiction are St. Urbain Street or European capitals, his major characters never forsake the Montreal world that shaped them. His most frequent voice is that of the satirist, rendering an honest account of his times with care and humour. Richler's many honours include the Giller Prize, two Governor General's Awards, and innumerable other awards for fiction, journalism, and screenwriting. He died in Montreal in 2001.
Textul de pe ultima copertă
Transplanted to Toronto from his native Baffin Island, Atuk the poet is an unlikely overnight success. Eagerly adapting to a society steeped in pretension, bigotry, and greed, Atuk soon abandons the literary life in favour of more lucrative and hazardous schemes.