The purpose of this book is threefold: 1. To further document cases in both the United States and abroad that verify Jonah Goldberg's thesis that a considerable segment of the American public is misled by the use of the terms "RIGHT vs. LEFT," which are cliche ridden, and often erroneous in their presentation of the most essential relevant facts and the conclusions drawn. 2. To demonstrate that it is primarily the Political Left that has a vested interest in the continued use of this terminology due to the considerable inroads made by the liberal media on public opinion. Many political pundits have drawn on the prestige of major writers and Hollywood celebrities whose work was shaped by a critical view of American culture as the epitome of alienation, hypocrisy and crass materialism in modern society. Their assumptions are that other cultures and societies are more authentic, "holistic," integral and devoted to a sense of solidarity and community. These views have been reinforced in popular culture, especially in film and popular song as part of the counter-culture that arose in the 1960s. 3. To show that antisemitism was not inherently a part of many nationalist "right-wing" movements and that it is generated today overwhelmingly from the Far Left under the encouragement of the wealth and power of militant Islam.