The Limbourg Brothers: Reflections on the Origins and the Legacy of Three Illuminators from Nijmegen
Editat de Rob Dückers, Pieter Roelofsen Limba Engleză Hardback – 24 mar 2009
the colourful and highly refined miniatures in the Belles Heures and Très Riches Heures du Duc de Berry still speak vividly to our imagination. In 2005 Museum Het Valkhof in Nijmegen presented the exhibition ‘The Limbourg
Brothers. Nijmegen Masters at the French Court (1400-1416)’. This was the first time that original miniatures from
four manuscripts by the Limbourg brothers were shown in the Netherlands. The exhibition formed an excellent
opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two-day
conference. This publication presents in written form the conference papers delivered by some of the leading scholars in the field. In that respect, the volume acts as an addendum to the catalogue.
Contributors are Hanneke van Asperen, Gregory T. Clark, Herman Th. Colenbrander, Rob Dückers, Eberhard König,
Margaret Lawson, Stephen Perkinson, Pieter Roelofs and Victor M. Schmidt.
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Specificații
ISBN-13: 9789004175129
ISBN-10: 9004175121
Pagini: 216
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.66 kg
Editura: Brill
Colecția Brill
ISBN-10: 9004175121
Pagini: 216
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.66 kg
Editura: Brill
Colecția Brill
Cuprins
Rob Dückers & Pieter Roelofs - Introduction: The Homecoming of the Limbourg Brothers
Victor M. Schmidt, Some Portraits by Johan Maelwael, Painter of the Dukesof Burgundy
Margaret Lawson, The Belles Heures of Jean de France, Duke of Berry Manuscript and the Question of the Artists’ ‘Hands’
Stephen Perkinson, Likeness, Loyalty, and the Life of the Court Artist: Portraiture in the Calendar Scenes of the Très Riches Heures
Hanneke van Asperen, A Pilgrim’s Additions. Traces of Pilgrimage in the Belles Heures of Jean de Berry
Eberhard König, Was kann man aus den Belles Heures über die Limburgs lernen? Eine nun gut bekannte
Handschrift
Herman Th. Colenbrander, Guelders-France. Another Connection around 1400
Rob Dückers, A Close Encounter? The Limbourg Brothers and Illumination in the Northern Netherlands in the First Half of the Fifteenth Century
Gregory T. Clark, The Master of Guillebert de Mets, Philip the Good, and the Breviary of John the Fearless
Notes on Contributors
Victor M. Schmidt, Some Portraits by Johan Maelwael, Painter of the Dukesof Burgundy
Margaret Lawson, The Belles Heures of Jean de France, Duke of Berry Manuscript and the Question of the Artists’ ‘Hands’
Stephen Perkinson, Likeness, Loyalty, and the Life of the Court Artist: Portraiture in the Calendar Scenes of the Très Riches Heures
Hanneke van Asperen, A Pilgrim’s Additions. Traces of Pilgrimage in the Belles Heures of Jean de Berry
Eberhard König, Was kann man aus den Belles Heures über die Limburgs lernen? Eine nun gut bekannte
Handschrift
Herman Th. Colenbrander, Guelders-France. Another Connection around 1400
Rob Dückers, A Close Encounter? The Limbourg Brothers and Illumination in the Northern Netherlands in the First Half of the Fifteenth Century
Gregory T. Clark, The Master of Guillebert de Mets, Philip the Good, and the Breviary of John the Fearless
Notes on Contributors
Recenzii
"De succesvolle Nijmeegse tentoonstellingen en de bijbehorende catalogus inspireerden tot nieuwe verkenningen van het werk van de gebroeders Limburg, de receptie van hun werk, hun invloed en de (kunst)historische context waarbinnen ze actief waren. De in dit boek neergelegde resultaten laten zien dat uiteenlopende benaderingen tot nieuwe inzichten kunnen leiden."
Wim van Anrooij, De Gulden Passer 88 (2010) 149-150.
Wim van Anrooij, De Gulden Passer 88 (2010) 149-150.
Notă biografică
Rob Dückers (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen and Codicology at
Leiden University. He specializes in medieval codices and in ecclesiastical art, publishing regularly in both fields. He
was co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'. Dückers is
attached to Emerson College European Center and to the treasury at the Basilica of Saint Servatius in Maastricht.
Pieter Roelofs (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen. He has been
Curator of Seventeenth Century Dutch Painting at the Rijksmuseum Amsterdam since 2006. Roelofs has been involved in a
variety of exhibitions in the Netherlands and abroad and has published on a wide range of art-historical themes. In 2005 he was project manager and co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'.
Leiden University. He specializes in medieval codices and in ecclesiastical art, publishing regularly in both fields. He
was co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'. Dückers is
attached to Emerson College European Center and to the treasury at the Basilica of Saint Servatius in Maastricht.
Pieter Roelofs (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen. He has been
Curator of Seventeenth Century Dutch Painting at the Rijksmuseum Amsterdam since 2006. Roelofs has been involved in a
variety of exhibitions in the Netherlands and abroad and has published on a wide range of art-historical themes. In 2005 he was project manager and co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'.