The Luminist
Autor David Rocklin Jacquelyn Mitcharden Limba Engleză Paperback – 31 aug 2011
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Specificații
ISBN-13: 9780979018879
ISBN-10: 0979018870
Pagini: 322
Dimensiuni: 142 x 229 x 20 mm
Greutate: 0.43 kg
Editura: HAWTHORNE BOOKS
ISBN-10: 0979018870
Pagini: 322
Dimensiuni: 142 x 229 x 20 mm
Greutate: 0.43 kg
Editura: HAWTHORNE BOOKS
Recenzii
Rocklin’s debut novel… is beautifully written, especially the scenes where Eligius works with Catherine in her experiments…If Rocklin plays to his strengths, he will be a writer to watch. (Oct.) Publishers Weekly
Rocklin reveals another aspect of the Victorian era and causes readers to question how hard they would fight to remain true to themselves. Although the ending feels rushed in spots, the book is otherwise well paced and compelling. It is often stark—fitting for the time and setting—yet his occasionally vivid descriptions spotlight powerful moments. Danger boils under the surface throughout, ready to explode. The Luminist highlights a moment in history when the world is transforming and the very fabric of society is being stretched in unheard of ways. It serves as a snapshot as vivid as those Catherine tries to create, intended to cause people to see things in new ways. (Oct) ForeWord
THIS BOOK IS ONE of those few in which an author’s specific sensibilities nourish the text, as Abraham Verghese’s multi-geographic heritage and his physician’s life inform Cutting For Stone and Andrea Barrett’s fiction, from Ship Fever to Servants of the Map, owes its density and savor to the botanic and historiographic facts that beguile her. David Rocklin’s The Luminist, is a weave of legend and history, science and art, politics and domesticity that are symphonic themes in the main title, the story of an enduring and forbidden friendship. —FROM THE INTRODUCTION BY JACQUELYN MITCHARD, author of No Time to Wave Goodbye and The Deep End of the Ocean
A LITERARY FEAST of words and exquisite turns of phrase, The Luminist brings colonial 19th century Ceylon to life through the eyes of a Tamil boy named Eligius Shourie, a free-thinking servant who forms a bond with his employer, the ambitious British photographer Catherine Colebrook. Set against a tropical backdrop of simmering unrest, this elegantly constructed historical novel cast a quiet spell on me that gathered momentum right through to shocking final scenes of astonishing emotional power. This fascinating story made me want to run to the library and learn everything about the 19th century British photographer, Julia Margaret Cameron – on whom the character of Catherine Colebrook is loosely based – and the colorful history of Ceylon, which is now known as Sri Lanka. —ANJALI BANERJEE, author of Haunting Jasmine
THE LUMINIST IS A warm dazzle of a first novel – a profoundly human story of shadow and light fixed in the searing simplicity of David Rocklin’s diamond-bright prose. —SUSAN TAYLOR CHEHAK author of Apocalypse Tonight
NOT SINCE TINKERS have I read a book which, in its sheer beauty and mystery, has carried me off the way The Luminist has. Every sentence is a small miracle; every character glows with a complex elegance, as if seen by candlelight. David Rocklin's lush rendering of raw, unstable, colonial Ceylon will be etched in my memory for a long, long time. Superb. —MYLÈNE DRESSLER, author of The Deadwood Beetle
IN THIS EXTRAORDINARY DEBUT, David Rocklin takes us to the heart of photography's unlikely origins through language that shimmers like the art of light itself. As creative obsession fuses with political crisis in Colonial Ceylon, the result is one unforgettable story. The Luminist is a gorgeous evocation of era, place, and human passion.
—AIMEE LIU, author of Flash House and Cloud Mountain
CEYLON OF THE 19TH CENTURY is more than the setting for David Rocklin’s richly imagined and deeply moving novel. It is the central character, a world no less alienated and scarred than the people who inhabit it. That Rocklin chooses to capture the rawness of those lives through the nascent lens of photography is even more impressive, lending the novel a lyricism that comes as both a shock and a comfort. —JONATHAN RABB, author of Shadow and Light and The Second Son
Rocklin reveals another aspect of the Victorian era and causes readers to question how hard they would fight to remain true to themselves. Although the ending feels rushed in spots, the book is otherwise well paced and compelling. It is often stark—fitting for the time and setting—yet his occasionally vivid descriptions spotlight powerful moments. Danger boils under the surface throughout, ready to explode. The Luminist highlights a moment in history when the world is transforming and the very fabric of society is being stretched in unheard of ways. It serves as a snapshot as vivid as those Catherine tries to create, intended to cause people to see things in new ways. (Oct) ForeWord
THIS BOOK IS ONE of those few in which an author’s specific sensibilities nourish the text, as Abraham Verghese’s multi-geographic heritage and his physician’s life inform Cutting For Stone and Andrea Barrett’s fiction, from Ship Fever to Servants of the Map, owes its density and savor to the botanic and historiographic facts that beguile her. David Rocklin’s The Luminist, is a weave of legend and history, science and art, politics and domesticity that are symphonic themes in the main title, the story of an enduring and forbidden friendship. —FROM THE INTRODUCTION BY JACQUELYN MITCHARD, author of No Time to Wave Goodbye and The Deep End of the Ocean
A LITERARY FEAST of words and exquisite turns of phrase, The Luminist brings colonial 19th century Ceylon to life through the eyes of a Tamil boy named Eligius Shourie, a free-thinking servant who forms a bond with his employer, the ambitious British photographer Catherine Colebrook. Set against a tropical backdrop of simmering unrest, this elegantly constructed historical novel cast a quiet spell on me that gathered momentum right through to shocking final scenes of astonishing emotional power. This fascinating story made me want to run to the library and learn everything about the 19th century British photographer, Julia Margaret Cameron – on whom the character of Catherine Colebrook is loosely based – and the colorful history of Ceylon, which is now known as Sri Lanka. —ANJALI BANERJEE, author of Haunting Jasmine
THE LUMINIST IS A warm dazzle of a first novel – a profoundly human story of shadow and light fixed in the searing simplicity of David Rocklin’s diamond-bright prose. —SUSAN TAYLOR CHEHAK author of Apocalypse Tonight
NOT SINCE TINKERS have I read a book which, in its sheer beauty and mystery, has carried me off the way The Luminist has. Every sentence is a small miracle; every character glows with a complex elegance, as if seen by candlelight. David Rocklin's lush rendering of raw, unstable, colonial Ceylon will be etched in my memory for a long, long time. Superb. —MYLÈNE DRESSLER, author of The Deadwood Beetle
IN THIS EXTRAORDINARY DEBUT, David Rocklin takes us to the heart of photography's unlikely origins through language that shimmers like the art of light itself. As creative obsession fuses with political crisis in Colonial Ceylon, the result is one unforgettable story. The Luminist is a gorgeous evocation of era, place, and human passion.
—AIMEE LIU, author of Flash House and Cloud Mountain
CEYLON OF THE 19TH CENTURY is more than the setting for David Rocklin’s richly imagined and deeply moving novel. It is the central character, a world no less alienated and scarred than the people who inhabit it. That Rocklin chooses to capture the rawness of those lives through the nascent lens of photography is even more impressive, lending the novel a lyricism that comes as both a shock and a comfort. —JONATHAN RABB, author of Shadow and Light and The Second Son
Extras
INTRODUCTION BY JACQUELYN MITCHARD
Photography comprises the bright,
tensile thread in the sweep of The Luminist,
drawing tight a narrative that shifts between
the prejudices and passions of Victorian
England and those of colonial Ceylon. It binds
the destinies of Catherine Colebrook, the
proper wife of a fading diplomat, who rebels
against every convention to chase the
romance of science through her lens, and
Eligius, an Indian teenager thrust into servitude
after his father is killed demanding
native rights.
The Luminist is a weave of legend and history,
science and art, politics and domesticity
that are symphonic themes in the main
title, the story of an enduring and forbidden
friendship. Catherine and Eligius must
each struggle with internal forces that inspire
them and societal pressures that command
them. Rocklin’s is a bold landscape, against
which an intimate drama is poignantly played
out. Just in this way, our minds recall in
every detail the photo snapped at the moment
of pain, while all the lovely scenes seem to
run together.
Photography comprises the bright,
tensile thread in the sweep of The Luminist,
drawing tight a narrative that shifts between
the prejudices and passions of Victorian
England and those of colonial Ceylon. It binds
the destinies of Catherine Colebrook, the
proper wife of a fading diplomat, who rebels
against every convention to chase the
romance of science through her lens, and
Eligius, an Indian teenager thrust into servitude
after his father is killed demanding
native rights.
The Luminist is a weave of legend and history,
science and art, politics and domesticity
that are symphonic themes in the main
title, the story of an enduring and forbidden
friendship. Catherine and Eligius must
each struggle with internal forces that inspire
them and societal pressures that command
them. Rocklin’s is a bold landscape, against
which an intimate drama is poignantly played
out. Just in this way, our minds recall in
every detail the photo snapped at the moment
of pain, while all the lovely scenes seem to
run together.
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Premii
- IndieFab awards Honorable Mention, 2011