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The Mask of Art – Breaking the Aesthetic Contract–Film and Literature

Autor Clyde R. Taylor
en Limba Engleză Paperback – 21 noi 1998
Clyde Taylor exposes the concept of ÒartÓ as a tool of ethnocentricity and racial ideology. He challenges the history of aesthetics as a recent invention of privileged Western consumerism, and questions the myth of its ancient Greek origin. Aestheticism, he says is a party to the establishment of whiteness as cultural norm.ÒThe aesthetic experienceÓ is revealed to be the stylistic/structural contribution to the Western master narrative which dominates historical interpretation. Areas such as cinema studies, the avant garde, Marxist and feminist criticism are seen as seriously compromised by this aesthetic reasoning. Examining various texts including The Birth of a Nation, Taylor demonstrates how rationales of ÒartÓ are used to mask personal, class, and cultural biases.Taylor offers a Òcritique of representationÓ as one alternative to aestheticism. Imitation of Life, The Cotton Club, and The Marrow of Tradition are read as Òdoppelganger discoursesÓ where the values of one social group are mobilized as the narrative double of a more powerful group. TaylorÕs innovative analysis of the semantics of unequal power refers to these doublings as Òironies of discourse.Ó Novels and films by Chinua Achebe, Toni Morrison, Richard Wright, Ousmane Sembene, Spike Lee, Souleymanne Cisse, Victor Masayesva, and Julie Dash, and the Vietnam Memorial design of Maya Lin are scrutinized in terms of resistance to the reign of the dominant system of aesthetics. According to Taylor whatever was once gained through this narcissistic Òaesthetic gazeÓ has long since been exhausted. Liberation from its narrow assumptions will open richer resources to human imagination and creativity.
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Specificații

ISBN-13: 9780253211927
ISBN-10: 0253211921
Pagini: 360
Dimensiuni: 163 x 230 x 19 mm
Greutate: 0.51 kg
Editura: MH – Indiana University Press

Recenzii

"In this critique of aesthetics and the politics of representation, Taylor demonstrates astonishing breadth and depth in arguing for 'breaking the aesthetic contract' that excludes anything that does not conform to Eurocentric notions of beauty. . . . it brings to black studies and cultural critique an internationalism that emphasizes the richness of forms of creative expression outside the norms set by European aesthetics. Highly recommended . . ." --Choice

Notă biografică

Clyde R. Taylor, film scholar and literary/cultural essayist, is Professor at the Gallatin School and in Africana Studies, New York University. His publications include Vietnam and Black America and the script for Midnight Ramble, a documentary about early Black independent cinema.

Descriere

Scholar Clyde Taylor exposes the concept of "art" as a device employed by Euro-American culture to dominate historical interpretation. He challenges the history of aesthetics as a recent invention of privileged Western consumerism. Examining various texts, Taylor demonstrates how rationales of "art" are used to mask personal, class, and cultural biases.