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The Mining Road

Autor Leanne O'Sullivan
en Limba Engleză Paperback – 24 apr 2013
The Mining Road, Leanne O'Sullivan's third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. O'Sullivan's poems move and provoke as they resonate with experiences at the heart of contemporary Ireland.
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Specificații

ISBN-13: 9781852249687
ISBN-10: 1852249684
Pagini: 64
Dimensiuni: 145 x 226 x 5 mm
Greutate: 0.11 kg
Ediția:New.
Editura: Bloodaxe Books

Notă biografică

Leanne O'Sullivan was born in 1983, and comes from the Beara peninsula in West Cork. She received an MA in English in 2006 from University College, Cork, where she now teaches. The winner of several of Ireland's poetry competitions in her early 20s (including the Seacat, Davoren Hanna and RTE Rattlebag Poetry Slam), she has published four collections, all from Bloodaxe, Waiting for My Clothes (2004), Cailleach: The Hag of Beara (2009), winner of the Rooney Prize for Irish Literature in 2010, The Mining Road (2013) and A Quarter of an Hour (2018), winner of the inaugural Farmgate Café National Poetry Award 2019. A Quarter of an Hour was also shortlisted for the Irish Times Poetry Now Award 2019 and the Pigott Poetry Prize 2019. She was given the Ireland Chair of Poetry Bursary Award in 2009 and the Lawrence O'Shaughnessy Award for Irish Poetry in 2011, and received a UCC Alumni Award in 2012. Her work has been included in various anthologies, including Selina Guinness's The New Irish Poets (Bloodaxe Books, 2004) and Billy Collins's Poetry 180: A Turning Back to Poetry (Random House, 2003). Residencies and festival readings have taken her to France, India, China and America, amongst other locations.

Descriere

The Mining Road, Leanne O'Sullivan's third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. Like remnants of a lost world, the mines' ruined towers, shafts, man-engines and dressing floors, evoke an elemental landscape in which men and women laboured above as well as underground, and even mined in caverns below sea level. Mining promotes a sense of memory, and the riches embedded in the landscape are human as well as material.

But things brought to the surface can have a startling ability to shine in the present, and O'Sullivan's poems move and provoke as they resonate with experiences at the heart of contemporary Ireland.