The Modern Russian Theater: A Literary and Cultural History: A Literary and Cultural History
Autor Nicholas Rzhevskyen Limba Engleză Hardback – 15 feb 2009
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Specificații
ISBN-13: 9780765620613
ISBN-10: 0765620618
Pagini: 344
Dimensiuni: 178 x 254 x 23 mm
Greutate: 0.82 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0765620618
Pagini: 344
Dimensiuni: 178 x 254 x 23 mm
Greutate: 0.82 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
Preface; Predisposition; I. Beginnings and Ends: 1900-1917; History; Literature, Philosophy, and Literary Criticism; Religion; Theater Criticism and the Conditions of Theater: A Little Tomfoolery; The Self, the Saint, and the Moral Charm of Crickets: The Petty Demon; Alexis, Man of God; Cricket on the Hearth; The Moscow Art Theater; Postscripts of the Self; II. Revolution and the Twenties; Political Bouffe; Commedia della Death; III. Adapting to Socialist Realism; The Peasant Hypocrite: Okhlopkov; MAT, Bulgakov, and the Art of Compromise; Bulgakov's Love Affairs; The Lessons of Socialist Realism; IV. The Age of Red Aquarius; The Cold Thaw; The Saving Idiot; At Full Voice; V. The Past Regained; Village Theater; City Theater; VI. The Strange Horse; Intrusions on Political Orthodoxies; The BDT and Tolstoy's Yardstick; In Dostoevsky's Corner: Brother Alesha; Lady Macbeth and Junona and Avos; A Tale of Inspection; VII. The End of Communism and the Survival of Theater; Debating Adaptations; Kharms's Absurdities; Sentimentalism, Musicals, and Bulgakov Return; Dostoevsky's Subversions of Sentiment; The Master on Stage Again: The Master and Margarita; The Performance of Absence: Vladimir Vysotsky; Adapting Tragedy; VIII. The Nineties and Beyond: Ends and Beginnings; Beyond Politics; Beyond Dostoevsky; Beyond Pushkin; Beyond Gogol; Beyond Chekhov; Beyond History; Notes; Bibliography; Index; About the Author.
Descriere
Presents a survey of Russian theater in the twentieth century and into the twenty-first. This book encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature.