This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets-being derived from the three primary tonal sounds/vowels; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more.This book is divided into 10 chapters.Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt-as being the SOURCE of all languages throughout the world.Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system.Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments.Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds.Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations.Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones.Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes.Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound segmentation in musical flow and its equivalence in syllables stream-in all variations of length, duration, stress, junctures, boundaries, etc.Chapter 9: Harmonic/Rhythmic Word Formation/Morphology [Musical Triad] covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs.Chapter 10: Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations] covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions and forms, etc.