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The Myth of Lycurgus in Aeschylus, Naevius, and beyond: Mnemosyne, Supplements, cartea 441

Autor Bartłomiej Bednarek
en Limba Engleză Hardback – 11 mai 2021
Lycurgus, the king of the Thracian tribe of the Edonians, is the hero of the first attested Greek myth about the resistance against the god Dionysus. According to many scholars, Lycurgus was worshipped as a god among the Thracians, Phrygians, and Syrians. His myth might have been used as a hieros logos in the initiations into the ‘Bacchic’ and ‘Orphic’ mysteries in Greece and Rome. This book focuses on Aeschylus’ tragic tetralogy Lycurgeia and Naevius’ tragedy Lycurgus, the two most important texts that shaped the tradition of the Lycurgus myth, and offers a new and, at times, radically different interpretation of these fragmentary plays and related cultural texts.
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Specificații

ISBN-13: 9789004463028
ISBN-10: 900446302X
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements


Notă biografică

Bartłomiej Bednarek, Ph.D. (2015), is a post-doc fellow at the University of Warsaw. He has published books and articles on religion and mythology, literature and theatre, gender and sexuality in ancient Greece and Rome.

Cuprins

Acknowledgments
List of Figures

Introduction
Shape of This Book

1 The Lycurgus Myth before Theatre
1.1Iliad 6.130–140: Who Are You, My Dear?
1.2Eumelus and the Early Dionysian Saga
1.3Presuppositions of the Homeric Passage: All that We Will Never Know about Life, Death, and Lycurgus
1.4Stesichorus’ fr. 276 (Finglass): The Gift of Dionysus
1.5Conclusions

2 Aeschylus’ Lycurgeia
2.1Introduction
2.2Tragic Trilogy
2.3The End of Lycurgus in Sophocles, Aeschylus, and Related Texts
2.4Orpheus in Fabula
2.5Reconstruction of the Lycurgeia
2.6Lycurgus satyricus
2.7Appendix I: Euripides’ Bacchae and Its Role in Dionysian Imagery
2.8Appendix II: Between Lycurgus’ and Pentheus’ Iconography

3 Naevius’ Lycurgus
3.1Fragments
3.2Beyond Fragments
3.3An Outline of the Plot
3.4The Readership of Naevius

4 Lost in Translation: Lycurgus between Aeschylus, Naevius, Poetry, and the Visual Arts
4.1From Aeschylus to Naevius
4.2Aeschylus’ Afterlife
4.3Plays with Lycurgus in the Title
4.4Iconography
4.5Instead of Conclusions
4.6Appendix: The Location of Lycurgus’ Kingdom and the Chronology of His Myth

5 Lycurgus monocrepis
5.1Introduction
5.2Lycurgus’ Self-Mutilation in Greek Texts
5.3Lycurgus’ Self-Mutilation in Latin Texts
5.4The Iconography of Lycurgus monocrepis
5.5The History of Research
5.6Conclusions

General Conclusions

Bibliography
Index