The New Media Book
Editat de Dan Harriesen Limba Engleză Paperback – sep 2002
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Specificații
ISBN-13: 9780851709253
ISBN-10: 0851709257
Pagini: 262
Dimensiuni: 155 x 235 x 17 mm
Greutate: 0.57 kg
Ediția:2002
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 0851709257
Pagini: 262
Dimensiuni: 155 x 235 x 17 mm
Greutate: 0.57 kg
Ediția:2002
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
Notă biografică
Dan
Harries
in
Senior
Lecturer
in
Film
and
Visual
Culture
at
Middlesex
University
and
is
the
author
of
Film
Parody
(2000)
and
co-author
of
Film
and
Video
on
the
Internet
(1996)
Textul de pe ultima copertă
What
will
prove
to
be
the
lasting
impact
of
New
Media
on
film
and
television?
What
kinds
of
transformations
of
moving
image
media
are
really
already
under
way?
The
term
'new
media'
has
become
an
effective
catch
word
both
as
a
description
of
the
digital
delivery
of
media
via
the
Internet,
DVD,
and
digital
television
and
as
a
reference
to
the
"newness"
such
technologies
have
brought
to
media
more
generally.
And
yet
the
nature
of
this
transformation
has
been
over-hyped
and
too
little
understood.
The
New
Media
Book
provides
an
accessible,
critical
intervention
into
the
field
of
moving
image
studies
and
features
20
newly
commissioned
and
thought-provoking
essays
in
a
format
designed
to
be
of
wide
use
to
a
range
of
courses
in
digital
media,
film
and
television
studies.
The
book
is
divided
into
five
thematic
sections:
Technologies,
Production,
Texts,
Consumption,
and
Contexts
and
addresses
how
"new
media"
is
both
embracing
and
altering
the
existing
media
landscape.
Topics
discussed
include
the
ways
in
which
we
interact
with
digital
television,
the
changing
methods
of
production,
distribution,
and
exhibition
within
the
media
industry,
and
how
the
histories
of
traditional
media
have
influenced
the
development
of
new
media.
The
New
Media
Book
examines
the
corresponding
influences
that
'traditional'
media
and
'new'
media
are
having
upon
each
other
as
well
as
revisiting
central,
continuing
issues
surrounding
the
moving
image
and
the
contexts
in
which
all
the
media
operate.
The
collected
essays
present
and
redefine
these
crucially
important
topics
providing
the
most
systematic
analysis
of
both
change
and
continuity
in
the
contemporary
media
landscape
yet
published
in
the
field
of
screen
studies.