The News from Spain: Seven Variations on a Love Story
Autor Joan Wickershamen Limba Engleză Paperback – iul 2013
The author of the acclaimed memoir The Suicide Index returns with a virtuosic collection of stories, each a stirring parable of the power of love and the impossibility of understanding it. Spanning centuries and continents, from eighteenth-century Vienna to contemporary America, Joan Wickersham shows, with uncanny exactitude, how we never really know what’s in someone else’s heart—or in our own.
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Specificații
ISBN-13: 9780307949295
ISBN-10: 030794929X
Pagini: 208
Dimensiuni: 119 x 214 x 17 mm
Greutate: 0.23 kg
Editura: VINTAGE BOOKS
ISBN-10: 030794929X
Pagini: 208
Dimensiuni: 119 x 214 x 17 mm
Greutate: 0.23 kg
Editura: VINTAGE BOOKS
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Notă biografică
Joan Wickersham was born in New York City. She is the author of two previous books, most recently The Suicide Index, a National Book Award finalist. Her fiction has appeared in The Best American Short Stories and The Best American Nonrequired Reading. Her op-ed column appears regularly in The Boston Globe; she has published essays and reviews in the Los Angeles Times and the International Herald Tribune; and she has contributed on-air essays to National Public Radio. She has received fellowships from the National Endowment for the Arts, the MacDowell Colony, and Yaddo. She lives in Cambridge, Massachusetts, with her husband and two sons.
Extras
• •
The News from Spain
The news from Spain is terrible. A bomb under a park bench in a small town near Madrid. Fifteen people have been killed and dozens injured. Harriet tells the aide, who crosses herself; the nurse, who says, “It makes you want to stay home and never leave the house—but that would just be giving in to terrorism”; and her daughter Rebecca, who says, “Why do you spend all day watching that stuff?”
Rebecca is tired. Harriet has been sick on and off for years, more than a decade. Rebecca has just driven four hours from Boston to get to the Connecticut nursing home where Harriet now lives. She is taking two days off from the small bookstore she owns, paying her part-time assistant extra to cover for her. She’s brought a shopping bag full of things Harriet likes: rice pudding with raisins, shortbread, fresh figs, and a box of lame-juns from a Middle Eastern bakery. She has walked into the room and Harriet has barely looked away from the TV to say hello.
What Harriet says is, “They just interviewed a man whose granddaughter died in his arms.”
Rebecca puts down the shopping bag and kisses the top of her mother’s head. Someone has given Harriet a haircut, a sur- prisingly flattering one. Her head smells faintly of shampoo.
Harriet puts up a hand and feels for Rebecca’s face, briefly cupping her chin. “They think it was a Basque separatist group.”
Rebecca nods and goes down the hall to the kitchen, to put the rice pudding and lamejuns in the fridge. The hallway is full of wheelchairs, a straggly becalmed flotilla of gray people just sitting there, some with their heads lolling on their chests. On the way back to her mother’s room, she runs into the social worker assigned to Harriet’s case. Today is Halloween; the social worker is wearing a pirate hat and an eye patch. “How do you think your mom is doing?” she asks Rebecca.
“I think she’s still angry about being here,” Rebecca says. Harriet moved into the nursing home a month ago, after the rehab hospital said she had “plateaued,” and the assisted-living place said they couldn’t take her back.
“I know,” the social worker says. “But they adjust.”
When she goes back into her mother’s room, Harriet is watching for her. The TV is off. “I’m so glad you came,” Harriet says.
“I just ran into the social worker in the hall. She says you’re adjusting.”
“Bullshit,” Harriet says. “Did you bring stuffed grape leaves?”
“I didn’t remember that you liked them.”
“I love them.”
“Next time,” Rebecca says. She pulls over a chair and sits facing her mother. Harriet is in a wheelchair, paralyzed again—it has happened before, she has some rare chronic spinal disease, but this time the neurologist says it is permanent. Rebecca, who came down to go with her mother to that appointment last month, listened while he talked to Harriet about suffering and acceptance, about how what was happening to her was truly terrible, worse than what anyone should have to go through. Rebecca liked the doctor’s humanity, and thought it might be somewhat comforting to Harriet; certainly Harriet has always found it gratifying to be admired for her bravery. But Harriet was furious. “He’s talking philosophy when what I really want to hear about is stem-cell research.”
Rebecca feels guilty about not making it down to see her mother more often. Harriet is always mentioning something she needs—lavender talcum powder, or socks, or an afghan to put over her legs when they wheel her outside, or, she sighs, “just a really good turkey club sandwich.” Rebecca mails what she can, alternately touched by and annoyed by the many requests (are they wistful, or reproachful? Both, she thinks). (But they are also, simply, practical. These are the small things we live with, and Harriet now has no way to get hold of them.) She has talked to Harriet about moving to a nursing home in the Boston area. “It would be more convenient.”
“For you, you mean,” Harriet said. She is adamant about staying in this particular nursing home, because the man she’s in love with is in the assisted-living place next door, and comes over to visit her nearly every day. Rebecca thinks it’s great that her mother has someone, though she could do without some of Harriet’s more candid reports (“Ralph called me this morning and said, ‘I wish I could make love to you right now’ ”).
“How is Ralph?” Rebecca asks now.
Harriet shrugs. “He thinks I’m mad at him because he didn’t give me a birthday present.”
“Yes.” They laugh. They talk. Rebecca heats up some lame- juns in the kitchen microwave and makes Harriet a cup of tea. They hear the woman in the room next door say loudly, angrily, “Who washed my floor?” A low murmuring answer; then the angry woman again: “In the future I must ask that you not wash my floor without first giving me notice.”
Rebecca looks at Harriet. Harriet says, “At first I thought, Oh good, at least she sounds like she has all her marbles. But that’s all she ever says, on and on, day and night about the floor.”
Some lamejun has fallen onto the front of Harriet’s sweat- shirt; when she finally notices and brushes it off, it leaves a spot. “Damn it.” She wipes furiously away at it, but in the midst of the fury is also grinning ruefully at Rebecca—Can you believe it? How does it happen every single time? She’s a very large woman, and she’s been dropping food on her shirt for as long as Rebecca can remember. The last time Rebecca visited, on the day Harriet moved to the nursing home, the aide swathed Harriet’s front in an enormous terry-cloth bib before bringing in her dinner tray. Harriet allowed it, looking at Rebecca with a kind of stunned sadness; of all the enraging indignities of that day, this was the one that undid her. “She doesn’t need that,” Rebecca told the aide.
“We do it for everybody.”
“Right, but my mother doesn’t need it.”
So that was one small battle that Rebecca was there to win for Harriet. Without Rebecca, Harriet could have won it just fine for herself. Both of them knew this—and yet, between them, love has always had to be proved. It is there; and it gets proved, over and over. Some of their worst fights, confusingly, seem to both prove and disprove it: two people who didn’t love each other couldn’t fight like that—certainly not repeatedly.
Still, Rebecca has often wished for something quieter with Harriet. Are there mothers and daughters who can be happy together without saying much?
The News from Spain
The news from Spain is terrible. A bomb under a park bench in a small town near Madrid. Fifteen people have been killed and dozens injured. Harriet tells the aide, who crosses herself; the nurse, who says, “It makes you want to stay home and never leave the house—but that would just be giving in to terrorism”; and her daughter Rebecca, who says, “Why do you spend all day watching that stuff?”
Rebecca is tired. Harriet has been sick on and off for years, more than a decade. Rebecca has just driven four hours from Boston to get to the Connecticut nursing home where Harriet now lives. She is taking two days off from the small bookstore she owns, paying her part-time assistant extra to cover for her. She’s brought a shopping bag full of things Harriet likes: rice pudding with raisins, shortbread, fresh figs, and a box of lame-juns from a Middle Eastern bakery. She has walked into the room and Harriet has barely looked away from the TV to say hello.
What Harriet says is, “They just interviewed a man whose granddaughter died in his arms.”
Rebecca puts down the shopping bag and kisses the top of her mother’s head. Someone has given Harriet a haircut, a sur- prisingly flattering one. Her head smells faintly of shampoo.
Harriet puts up a hand and feels for Rebecca’s face, briefly cupping her chin. “They think it was a Basque separatist group.”
Rebecca nods and goes down the hall to the kitchen, to put the rice pudding and lamejuns in the fridge. The hallway is full of wheelchairs, a straggly becalmed flotilla of gray people just sitting there, some with their heads lolling on their chests. On the way back to her mother’s room, she runs into the social worker assigned to Harriet’s case. Today is Halloween; the social worker is wearing a pirate hat and an eye patch. “How do you think your mom is doing?” she asks Rebecca.
“I think she’s still angry about being here,” Rebecca says. Harriet moved into the nursing home a month ago, after the rehab hospital said she had “plateaued,” and the assisted-living place said they couldn’t take her back.
“I know,” the social worker says. “But they adjust.”
When she goes back into her mother’s room, Harriet is watching for her. The TV is off. “I’m so glad you came,” Harriet says.
“I just ran into the social worker in the hall. She says you’re adjusting.”
“Bullshit,” Harriet says. “Did you bring stuffed grape leaves?”
“I didn’t remember that you liked them.”
“I love them.”
“Next time,” Rebecca says. She pulls over a chair and sits facing her mother. Harriet is in a wheelchair, paralyzed again—it has happened before, she has some rare chronic spinal disease, but this time the neurologist says it is permanent. Rebecca, who came down to go with her mother to that appointment last month, listened while he talked to Harriet about suffering and acceptance, about how what was happening to her was truly terrible, worse than what anyone should have to go through. Rebecca liked the doctor’s humanity, and thought it might be somewhat comforting to Harriet; certainly Harriet has always found it gratifying to be admired for her bravery. But Harriet was furious. “He’s talking philosophy when what I really want to hear about is stem-cell research.”
Rebecca feels guilty about not making it down to see her mother more often. Harriet is always mentioning something she needs—lavender talcum powder, or socks, or an afghan to put over her legs when they wheel her outside, or, she sighs, “just a really good turkey club sandwich.” Rebecca mails what she can, alternately touched by and annoyed by the many requests (are they wistful, or reproachful? Both, she thinks). (But they are also, simply, practical. These are the small things we live with, and Harriet now has no way to get hold of them.) She has talked to Harriet about moving to a nursing home in the Boston area. “It would be more convenient.”
“For you, you mean,” Harriet said. She is adamant about staying in this particular nursing home, because the man she’s in love with is in the assisted-living place next door, and comes over to visit her nearly every day. Rebecca thinks it’s great that her mother has someone, though she could do without some of Harriet’s more candid reports (“Ralph called me this morning and said, ‘I wish I could make love to you right now’ ”).
“How is Ralph?” Rebecca asks now.
Harriet shrugs. “He thinks I’m mad at him because he didn’t give me a birthday present.”
“Yes.” They laugh. They talk. Rebecca heats up some lame- juns in the kitchen microwave and makes Harriet a cup of tea. They hear the woman in the room next door say loudly, angrily, “Who washed my floor?” A low murmuring answer; then the angry woman again: “In the future I must ask that you not wash my floor without first giving me notice.”
Rebecca looks at Harriet. Harriet says, “At first I thought, Oh good, at least she sounds like she has all her marbles. But that’s all she ever says, on and on, day and night about the floor.”
Some lamejun has fallen onto the front of Harriet’s sweat- shirt; when she finally notices and brushes it off, it leaves a spot. “Damn it.” She wipes furiously away at it, but in the midst of the fury is also grinning ruefully at Rebecca—Can you believe it? How does it happen every single time? She’s a very large woman, and she’s been dropping food on her shirt for as long as Rebecca can remember. The last time Rebecca visited, on the day Harriet moved to the nursing home, the aide swathed Harriet’s front in an enormous terry-cloth bib before bringing in her dinner tray. Harriet allowed it, looking at Rebecca with a kind of stunned sadness; of all the enraging indignities of that day, this was the one that undid her. “She doesn’t need that,” Rebecca told the aide.
“We do it for everybody.”
“Right, but my mother doesn’t need it.”
So that was one small battle that Rebecca was there to win for Harriet. Without Rebecca, Harriet could have won it just fine for herself. Both of them knew this—and yet, between them, love has always had to be proved. It is there; and it gets proved, over and over. Some of their worst fights, confusingly, seem to both prove and disprove it: two people who didn’t love each other couldn’t fight like that—certainly not repeatedly.
Still, Rebecca has often wished for something quieter with Harriet. Are there mothers and daughters who can be happy together without saying much?
Recenzii
“Joan Wickersham has done it again: astonished, enchanted, and moved me. . . . Like Alice Munro at her best.” —Julia Glass, author of Three Junes
“Do not mistake Wickersham’s exquisitely polished prose for good manners. Although she writes with an almost grave formality, a vintage grace … she is brutal and funny too. . . . Divine.” —San Francisco Chronicle
“Beautiful.” —Cheryl Strayed, author of Wild
“Wickersham shows how the difficult road of one-way affection can be a lot more interesting than something shared; she lends new dignity to pining.” —The New York Times
“Joan Wickersham’s brilliant The News from Spain shows, in all its twisty beauty, what a short story collection can do. . . . Truly extraordinary.” —Elizabeth McCracken, author of An Exact Replica of a Figment of My Imagination
“Wickersham [takes an] emotional cannonball into every single one of her characters. The doubts and tenderness they share are ones that only the finest fiction can create.” —Oprah.com, “Best of the Week”
“Great short stories are unforgiving: every world must work overtime. . . . Joan Wickersham [is] a fierce practitioner in the same exacting tradition. . . . At the top of this year’s list.” —Chicago Tribune Printer’s Row
“Captivating. . . . This wise and courageous and often brilliant collection of stories, written in clean, precise prose, is not only a pleasure to read, but also breaks new ground in our perceptions of what a short story can be. . . . Wonderfully imaginative and original.” —The Boston Globe
“Joan Wickersham makes a triumphant return to fiction. . . . Wickersham paints everyday yet complex portraits of love, filigreed with truths that resonate.” —Elle
“An expert in the he-and-she of it, Wickersham turns the most exquisitely particular truths into universals. The News from Spain is brilliant.” —Patricia Volk, author of Stuffed and To My Dearest Friends
“Wickersham dissects the human heart with precision and restraint that make her work all the more moving. Short stories don’t get much better than this.” —Kirkus Reviews
“So moving it will close your throat.” —Los Angeles Times
“[Wickersham] is a master of the written word and storytelling in all its forms.” —BookPage
“The brilliance of The News from Spain is that Joan Wickersham has ambitiously aimed for the scope and depth of a novel, but contained her writing within seven elegant 'love' stories, each titled ‘The News from Spain.’ . . . This is some of the best writing I've encountered in years.” —Michelle Aldredge, Gwarlingo
“Joan Wickersham has achieved something miraculous: seven prismatic stories that refract the lonely, marvelous, terrible complexity of human longing. . . . Radiant with insight.” —Suzanne Berne, author of A Crime in the Neighborhood
“Wickersham’s keen insight and observation of the human heart are at once intimate and universal.” —The Charleston Post & Courier
“Complex and world-weary, Wickersham’s characters move through life with a quiet intensity. Love comes at unexpected times and places—if you only listen hard enough.” —The Daily Beast
“A kaleidoscopic view of the subject of love. It is amazingly perceptive psychologically, a gorgeous, completely original work. I loved it. As soon as I finished it, I began to read it again.” —André Gregory, co-author of My Dinner with André
“The News from Spain evokes hidden topographies of need, and the emotional tipping points that occasionally break through the surface.” —Vogue.com
“Love—and all its messy, gorgeous, decimating complications—animates this brilliantly conceived collection of stories. With astonishing acuity, Wickersham illuminates not only our passions but also our abiding consolations.” —Dawn Raffel, author of Further Adventures in the Restless Universe
“Do not mistake Wickersham’s exquisitely polished prose for good manners. Although she writes with an almost grave formality, a vintage grace … she is brutal and funny too. . . . Divine.” —San Francisco Chronicle
“Beautiful.” —Cheryl Strayed, author of Wild
“Wickersham shows how the difficult road of one-way affection can be a lot more interesting than something shared; she lends new dignity to pining.” —The New York Times
“Joan Wickersham’s brilliant The News from Spain shows, in all its twisty beauty, what a short story collection can do. . . . Truly extraordinary.” —Elizabeth McCracken, author of An Exact Replica of a Figment of My Imagination
“Wickersham [takes an] emotional cannonball into every single one of her characters. The doubts and tenderness they share are ones that only the finest fiction can create.” —Oprah.com, “Best of the Week”
“Great short stories are unforgiving: every world must work overtime. . . . Joan Wickersham [is] a fierce practitioner in the same exacting tradition. . . . At the top of this year’s list.” —Chicago Tribune Printer’s Row
“Captivating. . . . This wise and courageous and often brilliant collection of stories, written in clean, precise prose, is not only a pleasure to read, but also breaks new ground in our perceptions of what a short story can be. . . . Wonderfully imaginative and original.” —The Boston Globe
“Joan Wickersham makes a triumphant return to fiction. . . . Wickersham paints everyday yet complex portraits of love, filigreed with truths that resonate.” —Elle
“An expert in the he-and-she of it, Wickersham turns the most exquisitely particular truths into universals. The News from Spain is brilliant.” —Patricia Volk, author of Stuffed and To My Dearest Friends
“Wickersham dissects the human heart with precision and restraint that make her work all the more moving. Short stories don’t get much better than this.” —Kirkus Reviews
“So moving it will close your throat.” —Los Angeles Times
“[Wickersham] is a master of the written word and storytelling in all its forms.” —BookPage
“The brilliance of The News from Spain is that Joan Wickersham has ambitiously aimed for the scope and depth of a novel, but contained her writing within seven elegant 'love' stories, each titled ‘The News from Spain.’ . . . This is some of the best writing I've encountered in years.” —Michelle Aldredge, Gwarlingo
“Joan Wickersham has achieved something miraculous: seven prismatic stories that refract the lonely, marvelous, terrible complexity of human longing. . . . Radiant with insight.” —Suzanne Berne, author of A Crime in the Neighborhood
“Wickersham’s keen insight and observation of the human heart are at once intimate and universal.” —The Charleston Post & Courier
“Complex and world-weary, Wickersham’s characters move through life with a quiet intensity. Love comes at unexpected times and places—if you only listen hard enough.” —The Daily Beast
“A kaleidoscopic view of the subject of love. It is amazingly perceptive psychologically, a gorgeous, completely original work. I loved it. As soon as I finished it, I began to read it again.” —André Gregory, co-author of My Dinner with André
“The News from Spain evokes hidden topographies of need, and the emotional tipping points that occasionally break through the surface.” —Vogue.com
“Love—and all its messy, gorgeous, decimating complications—animates this brilliantly conceived collection of stories. With astonishing acuity, Wickersham illuminates not only our passions but also our abiding consolations.” —Dawn Raffel, author of Further Adventures in the Restless Universe