The Nine Lives of Charlotte Taylor
Autor Sally Armstrongen Limba Engleză Paperback – 31 ian 2008
Excerpt from from The Nine Lives of Charlotte Taylor:
“Every summer of my youth, we would travel from the family cottage at Youghall Beach to visit my mother’s extended clan in Tabusintac near the Miramichi River. And at every gathering, just as much as there would be chickens to chase and newly cut hay to leap in, so there would be an ample serving of stories about Charlotte Taylor. . .
She was a woman with a “past.” The potboilers about her ran like serials from summer to summer, at weddings and funerals and whenever the clan came together. She wasn’t exactly presented as a gentlewoman, although it was said that she came from an aristocratic family in England. Nor was there much that seemed genteel about the person they always referred to as “old Charlotte.” Words like “lover” and “land grabber” drifted down from the supper table to where we kids sat on the floor. There were whoops of laughter at her indiscretions, followed by sideways glances at us. But for all the stories passed around, it was clear the family still had a powerful respect for a woman long dead. We owed our very existence to her, and the anecdotes the older generation told suggested that their own fortitude and guile were family traits passed down from the ancestral matriarch. For as long as I can remember, I’ve tried to imagine the real life Charlotte Taylor lived and, more, how she ever survived.”
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Specificații
ISBN-13: 9780679314059
ISBN-10: 0679314059
Pagini: 397
Dimensiuni: 132 x 203 x 25 mm
Greutate: 0.3 kg
Editura: Vintage Books Canada
ISBN-10: 0679314059
Pagini: 397
Dimensiuni: 132 x 203 x 25 mm
Greutate: 0.3 kg
Editura: Vintage Books Canada
Notă biografică
Sally Armstrong is an Amnesty International award-winner, a member of the Order of Canada, a documentary filmmaker, teacher, author, human rights activist and contributing editor at Maclean’s magazine. She has covered stories in conflict zones from Bosnia and Somalia to Rwanda and Afghanistan. Armstrong’s bestselling book, Veiled Threat: The Hidden Power of the Women of Afghanistan, was published in 2002.
Extras
Chapter 1
The Ocean
1775
It’s just an hour after dawn on the first Monday in May 1775 when the Anton lurches its bulk away from the docks at Bristol and sets sail for the West Indies. Charlotte Taylor is at the rail, rivetted to the huge square sails puffing out like bullies in the wind and bucking the ship into the open sea. A tall woman with flame-red hair tied in a knot at her neck, she keeps her eye to the bow as if setting her own course and her back to the land she has left behind. Standing beside her at the rail is Pad Willisams, her lover and co-conspirator in the hurried exit from Charlotte’s family, Pad’s job as butler in the Taylor household and a truth they each had only a part of.
A hastily packed trunk is stowed with the cargo. The calico sack she’d prepared for the voyage, and now realizes is pathetically inadequate since the trunk cannot be opened again until they reach shore six to eight weeks from now, is slung over her back.
A scrofulous man of indiscriminate age eyes her repeatedly from his place by the forward capstan. He’s one of the woebegone collection of humanity she’s travelling with–mostly men in their twenties and thirties and one young boy with freckles on his nose who seems to be in the employ of the haughty Captain Skinner. They all stare shamelessly at the white woman and the black man by her side. Pad has pulled together all the stiff dignity of the butler he had been just days earlier, but she can feel the anxiety that thrums through him. She is somewhat surprised to realize that she isn’t daunted by the stares, the days ahead or the consequences of leaving her family’s country home outside of London. Standing in the brisk wind on the deck of a sailing ship just a week after her twentieth birthday, Charlotte Taylor is unafraid–maybe even elated.
She’s still leaning on the portside, watching the water, letting the wind blow on her face when she allows herself to cast her thoughts to what she has run away from. The terrible row with her father when he learned she’d been “consorting,” as he called it, with Pad. The endless rounds of tea, the suffocating rules and her mother’s predictable attacks of the vapours whenever there was a hint of excitement in the household. She smiles in anticipation of the life ahead. A marriage to the dashing Pad, a home in the tropics. She’s grinning at the prospects when Pad interrupts her reverie to suggest they go below and secure their living quarters.
The quarters are cramped; the ceiling is so low they have to duck their heads. The bunks are arranged in two rows, one on each side of the dreary lower deck with damp curtains hanging between them to lend an illusion of privacy. There are hooks on which to hang their possessions and a lopsided stove in the centre. The only light and fresh air is from the hatch to the upper deck; the quarters smell of mildew and rotten wood. Indeed, the black streaks of rot crawling up the legs of the cots speak of the months at sea, the flourishing business of carrying human and other cargo across the ocean as many times as the weather will allow between May and October, never stopping long enough to refit or repair.
They pick a bunk at the end of the row and tie their sacks to the hooks before exploring the rest of the lower deck. There are stalls toward the stern filled with animals–two steers, four sheep, a ragged flock of chickens and three fat pigs. Charlotte looks at each and lingers on the soft, uncomprehending eyes of the steers that will become meals for the passengers and crew. Tucked under the bow in a wedge-shaped hold are the ship’s stores–burlap sacks of flour, sugar and grain, cases of biscuits, salt and limes. Charlotte and Pad walk back to midship, where a wide hatch is battened shut on the deck.
“What’s down there?” Charlotte asks a stocky sailor who is hurrying aft.
“Cargo, madam,” he says. “Plenty a’ cotton cloth and wool. That’s what makes ’em rich, madam, shippin’ the likes a’ that.”
My trunk is down there too, Charlotte thinks ruefully.
The young lad who’d caught her eye when they left the dock is friendly, puppyish and not too shy to tell her his name is Tommy Yates when she finds him exploring the lower deck.
“Me dad was the one who got me on board,” the boy confides gravely. “He brought me to the dock and hired me out to the captain. He told him I was sixteen, an’ I’m but thirteen.”
“Thirteen?” Charlotte looks at him closely. “Are you even that?”
“Oh yes, madam. Honest, I am.”
She had thought him no more than a scrawny eleven.
When he is not scrambling up the rigging at the captain’s orders or crawling through the hold below the sleeping quarters to fetch something the captain needs from the cargo, Tommy finds his way to Charlotte’s side. In the first week at sea, she heard about his fourteen brothers and sisters, the drink that made his father what he was and the mother who was so sickly she could hardly manage to stagger from her bed.
Charlotte shares her own story with him–putting a more varnished spin on her departure than is the case. She tells Tommy that she and Pad are married and that her father, General Taylor, doesn’t approve of the relationship so they decided to leave home for the West Indies and start a new life.
She entertains the winsome boy with details of the world she left behind, imitating her nanny’s priggish etiquette. “She insisted I sit like this all day long,” says Charlotte, perching herself on a bench and exaggerating the pose–her back ramrod straight, her legs bent at the knee and turned slightly sideways and her hands folded together in her lap. She makes him laugh when she describes her antics in the straitlaced household–refusing to marry the man her mother had chosen for her, looking contrite when her father admonished her, galloping around the estate on her horse and lingering at the stable with Pad. Tommy thinks it’s a blissful life she’s left, but even this boy can see the rebel in the woman he has befriended
From the Hardcover edition.
The Ocean
1775
It’s just an hour after dawn on the first Monday in May 1775 when the Anton lurches its bulk away from the docks at Bristol and sets sail for the West Indies. Charlotte Taylor is at the rail, rivetted to the huge square sails puffing out like bullies in the wind and bucking the ship into the open sea. A tall woman with flame-red hair tied in a knot at her neck, she keeps her eye to the bow as if setting her own course and her back to the land she has left behind. Standing beside her at the rail is Pad Willisams, her lover and co-conspirator in the hurried exit from Charlotte’s family, Pad’s job as butler in the Taylor household and a truth they each had only a part of.
A hastily packed trunk is stowed with the cargo. The calico sack she’d prepared for the voyage, and now realizes is pathetically inadequate since the trunk cannot be opened again until they reach shore six to eight weeks from now, is slung over her back.
A scrofulous man of indiscriminate age eyes her repeatedly from his place by the forward capstan. He’s one of the woebegone collection of humanity she’s travelling with–mostly men in their twenties and thirties and one young boy with freckles on his nose who seems to be in the employ of the haughty Captain Skinner. They all stare shamelessly at the white woman and the black man by her side. Pad has pulled together all the stiff dignity of the butler he had been just days earlier, but she can feel the anxiety that thrums through him. She is somewhat surprised to realize that she isn’t daunted by the stares, the days ahead or the consequences of leaving her family’s country home outside of London. Standing in the brisk wind on the deck of a sailing ship just a week after her twentieth birthday, Charlotte Taylor is unafraid–maybe even elated.
She’s still leaning on the portside, watching the water, letting the wind blow on her face when she allows herself to cast her thoughts to what she has run away from. The terrible row with her father when he learned she’d been “consorting,” as he called it, with Pad. The endless rounds of tea, the suffocating rules and her mother’s predictable attacks of the vapours whenever there was a hint of excitement in the household. She smiles in anticipation of the life ahead. A marriage to the dashing Pad, a home in the tropics. She’s grinning at the prospects when Pad interrupts her reverie to suggest they go below and secure their living quarters.
The quarters are cramped; the ceiling is so low they have to duck their heads. The bunks are arranged in two rows, one on each side of the dreary lower deck with damp curtains hanging between them to lend an illusion of privacy. There are hooks on which to hang their possessions and a lopsided stove in the centre. The only light and fresh air is from the hatch to the upper deck; the quarters smell of mildew and rotten wood. Indeed, the black streaks of rot crawling up the legs of the cots speak of the months at sea, the flourishing business of carrying human and other cargo across the ocean as many times as the weather will allow between May and October, never stopping long enough to refit or repair.
They pick a bunk at the end of the row and tie their sacks to the hooks before exploring the rest of the lower deck. There are stalls toward the stern filled with animals–two steers, four sheep, a ragged flock of chickens and three fat pigs. Charlotte looks at each and lingers on the soft, uncomprehending eyes of the steers that will become meals for the passengers and crew. Tucked under the bow in a wedge-shaped hold are the ship’s stores–burlap sacks of flour, sugar and grain, cases of biscuits, salt and limes. Charlotte and Pad walk back to midship, where a wide hatch is battened shut on the deck.
“What’s down there?” Charlotte asks a stocky sailor who is hurrying aft.
“Cargo, madam,” he says. “Plenty a’ cotton cloth and wool. That’s what makes ’em rich, madam, shippin’ the likes a’ that.”
My trunk is down there too, Charlotte thinks ruefully.
The young lad who’d caught her eye when they left the dock is friendly, puppyish and not too shy to tell her his name is Tommy Yates when she finds him exploring the lower deck.
“Me dad was the one who got me on board,” the boy confides gravely. “He brought me to the dock and hired me out to the captain. He told him I was sixteen, an’ I’m but thirteen.”
“Thirteen?” Charlotte looks at him closely. “Are you even that?”
“Oh yes, madam. Honest, I am.”
She had thought him no more than a scrawny eleven.
When he is not scrambling up the rigging at the captain’s orders or crawling through the hold below the sleeping quarters to fetch something the captain needs from the cargo, Tommy finds his way to Charlotte’s side. In the first week at sea, she heard about his fourteen brothers and sisters, the drink that made his father what he was and the mother who was so sickly she could hardly manage to stagger from her bed.
Charlotte shares her own story with him–putting a more varnished spin on her departure than is the case. She tells Tommy that she and Pad are married and that her father, General Taylor, doesn’t approve of the relationship so they decided to leave home for the West Indies and start a new life.
She entertains the winsome boy with details of the world she left behind, imitating her nanny’s priggish etiquette. “She insisted I sit like this all day long,” says Charlotte, perching herself on a bench and exaggerating the pose–her back ramrod straight, her legs bent at the knee and turned slightly sideways and her hands folded together in her lap. She makes him laugh when she describes her antics in the straitlaced household–refusing to marry the man her mother had chosen for her, looking contrite when her father admonished her, galloping around the estate on her horse and lingering at the stable with Pad. Tommy thinks it’s a blissful life she’s left, but even this boy can see the rebel in the woman he has befriended
From the Hardcover edition.
Recenzii
“The sweep is epic, a romantic narrative filled with passion, rebellion, adventure, heartbreak, triumph, legacy. It’s a heck of a story.”
–Ottawa Citizen
“A fascinating tale told at a lively pace.”
–Quill & Quire
“Sally Armstrong has done a brilliant job bringing her ancestor vividly to life in a compelling recreation of a settler’s life. . . . The list of well-written historical novels set in Canada are short, but The Nine Lives of Charlotte Taylor should be close to the top.”
–The Globe and Mail
"Charlotte Taylor's story is what you might get if you crossed Susannah Moodie and Jack Aubrey - a delicious character and a great yarn. Sally Armstrong has imagined an ancestor who possesses all the passion and daring that she herself has in abundance, and by the time we had finished our journey together through the trials and turbulence and the terrible beauty of the early days on the Miramichi, I wanted to claim Charlotte as my ancestor, too."
–Mary Lou Finlay, broadcaster and former host of As It Happens
Praise for Veiled Threat:
“A brief but brilliant book about the hidden power of the women of Afghanistan . . . written in blazingly clear language, blessedly free of academic pretensions.”
–Winnipeg Free Press
“Emotionally demanding reading . . . a passionate portrayal of recent events in Afghanistan from the perspective of a committed, feminist outsider.”
–The Hamilton Spectator
“A powerful book that shows how women can change the world.”
–Toronto Sun
“Veiled Threat’s strength lies in its empirical portrayal of the injustices and inhumanities visited upon the Afghan people, especially woman and girls . . . [and] is to be applauded for its emotionally gripping disclosure of suffering and injustice.”
–The Globe and Mail
“Sally Armstrong views Afghanistan through the eyes of its women. Her story [of Dr. Sima Samar] is one of hope and triumph, as are most of the tales in this straightforward, uplifting volume.”
–The Washington Post
–Ottawa Citizen
“A fascinating tale told at a lively pace.”
–Quill & Quire
“Sally Armstrong has done a brilliant job bringing her ancestor vividly to life in a compelling recreation of a settler’s life. . . . The list of well-written historical novels set in Canada are short, but The Nine Lives of Charlotte Taylor should be close to the top.”
–The Globe and Mail
"Charlotte Taylor's story is what you might get if you crossed Susannah Moodie and Jack Aubrey - a delicious character and a great yarn. Sally Armstrong has imagined an ancestor who possesses all the passion and daring that she herself has in abundance, and by the time we had finished our journey together through the trials and turbulence and the terrible beauty of the early days on the Miramichi, I wanted to claim Charlotte as my ancestor, too."
–Mary Lou Finlay, broadcaster and former host of As It Happens
Praise for Veiled Threat:
“A brief but brilliant book about the hidden power of the women of Afghanistan . . . written in blazingly clear language, blessedly free of academic pretensions.”
–Winnipeg Free Press
“Emotionally demanding reading . . . a passionate portrayal of recent events in Afghanistan from the perspective of a committed, feminist outsider.”
–The Hamilton Spectator
“A powerful book that shows how women can change the world.”
–Toronto Sun
“Veiled Threat’s strength lies in its empirical portrayal of the injustices and inhumanities visited upon the Afghan people, especially woman and girls . . . [and] is to be applauded for its emotionally gripping disclosure of suffering and injustice.”
–The Globe and Mail
“Sally Armstrong views Afghanistan through the eyes of its women. Her story [of Dr. Sima Samar] is one of hope and triumph, as are most of the tales in this straightforward, uplifting volume.”
–The Washington Post