The Notebooks of Alexander Skryabin
Traducere de Simon Nicholls, Michael Pushkinen Limba Engleză Hardback – 23 mai 2018
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Specificații
ISBN-13: 9780190863661
ISBN-10: 0190863668
Pagini: 288
Ilustrații: 12 line, 27 halftone
Dimensiuni: 236 x 157 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190863668
Pagini: 288
Ilustrații: 12 line, 27 halftone
Dimensiuni: 236 x 157 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Truly an essential addition to Scriabin literature... Lucidly translated and richly annotated
Now an English-speaking scholar or performer can learn about the ways in which Scriabin was understood one hundred years ago in Russia and is still sometimes understood today. This makes for a fascinating network-like book whose structure invites multiple readings.
Nicholls and Pushkin have bested the beast; their edition is excellent [...]
A useful and appealing introduction to Skriabin, The Notebooks promise to become an indispensable companion for scholars, students, pianists, and music lovers alike.
...the Gershenzon collection of Scriabin's writings is an important testament to the Orphic moment. Nicholls and Pushkin's translation will finally allow Anglophone readers the opportunity to pierce the veil of secondary commentary on Scriabin woven for over a century.
Of interest to a broad interdisciplinary audience (from scholars of Russian history and culture to musicologists), this invaluable publication provides insight into ideas that both shaped Skriabin's personal creative world and resonated with many of his contemporaries.
For those admirers of the composer unable to access or unable to read Gershenzon's publication, this careful translation will be welcome [] a fine translation.
Of interest to a broad interdisciplinary audience (from scholars of Russian history and culture to musicologists), this invaluable publication provides insight into ideas that both shaped Skriabin's personal creative world and resonated with many of his contemporaries...It is hoped that this publication will give impetus to future English-language translations of key Skriabin texts
This lucid translation helps piano lovers to understand the literary expression of a major keyboard composer.
This book provides a multifaceted insight into Scriabin's developing thought process, the context of his work, and his thoughts about philosophy and art.
This slim yet scholarly volume is truly an essential addition to Scriabin literature. The composer's notebooks -- covering virtually all his major works -- are lucidly translated and richly annotated by pianist and scholar Simon Nicholls, who also includes a pithily informative biography, plenty of photographs, and a detailed account of the intellectual ferment from which Scriabin drew his ideas: a heady mix of Symbolism, philosophy, new theories on psychology, and the then influential teachings of Theosophy ... Nicholls shows how Scriabin's one time acolyte and first biographer, Leonid Sabaneyev, did much to destroy the composer's posthumous credibility by presenting him through the distorting lens of Cesare Lombroso's now discredited theory that genius was akin to mental disease.
A splendidly researched volume, and an endlessly fascinating piece of scholarship. I learned a great deal from it, and it will prove essential to anyone wishing to probe deeper into Skryabin's world. The book is an immensely valuable addition to our understanding of every aspect of this most enigmatic of Russian composers.
The Notebooks of Alexander Skryabin brings to life the previously unpublished confessions from the composer's secret journals in fresh, modern translations. Simon Nicholls lends historical context and insightful perspective to Skryabin's profound and provocative theories. Now that Skryabin's philosophical thinking has earned a critical respect it deserves, this book promises to become an essential resource for students and scholars.
Now an English-speaking scholar or performer can learn about the ways in which Scriabin was understood one hundred years ago in Russia and is still sometimes understood today. This makes for a fascinating network-like book whose structure invites multiple readings.
Nicholls and Pushkin have bested the beast; their edition is excellent [...]
A useful and appealing introduction to Skriabin, The Notebooks promise to become an indispensable companion for scholars, students, pianists, and music lovers alike.
...the Gershenzon collection of Scriabin's writings is an important testament to the Orphic moment. Nicholls and Pushkin's translation will finally allow Anglophone readers the opportunity to pierce the veil of secondary commentary on Scriabin woven for over a century.
Of interest to a broad interdisciplinary audience (from scholars of Russian history and culture to musicologists), this invaluable publication provides insight into ideas that both shaped Skriabin's personal creative world and resonated with many of his contemporaries.
For those admirers of the composer unable to access or unable to read Gershenzon's publication, this careful translation will be welcome [] a fine translation.
Of interest to a broad interdisciplinary audience (from scholars of Russian history and culture to musicologists), this invaluable publication provides insight into ideas that both shaped Skriabin's personal creative world and resonated with many of his contemporaries...It is hoped that this publication will give impetus to future English-language translations of key Skriabin texts
This lucid translation helps piano lovers to understand the literary expression of a major keyboard composer.
This book provides a multifaceted insight into Scriabin's developing thought process, the context of his work, and his thoughts about philosophy and art.
This slim yet scholarly volume is truly an essential addition to Scriabin literature. The composer's notebooks -- covering virtually all his major works -- are lucidly translated and richly annotated by pianist and scholar Simon Nicholls, who also includes a pithily informative biography, plenty of photographs, and a detailed account of the intellectual ferment from which Scriabin drew his ideas: a heady mix of Symbolism, philosophy, new theories on psychology, and the then influential teachings of Theosophy ... Nicholls shows how Scriabin's one time acolyte and first biographer, Leonid Sabaneyev, did much to destroy the composer's posthumous credibility by presenting him through the distorting lens of Cesare Lombroso's now discredited theory that genius was akin to mental disease.
A splendidly researched volume, and an endlessly fascinating piece of scholarship. I learned a great deal from it, and it will prove essential to anyone wishing to probe deeper into Skryabin's world. The book is an immensely valuable addition to our understanding of every aspect of this most enigmatic of Russian composers.
The Notebooks of Alexander Skryabin brings to life the previously unpublished confessions from the composer's secret journals in fresh, modern translations. Simon Nicholls lends historical context and insightful perspective to Skryabin's profound and provocative theories. Now that Skryabin's philosophical thinking has earned a critical respect it deserves, this book promises to become an essential resource for students and scholars.
Notă biografică
Simon Nicholls is a pianist, teacher and independent researcher who has performed and broadcast internationally. In 2007 he taught a masterclass at the Skryabin Memorial Museum, and in the Skryabin centenary year, 2015, he gave a number of lecture-recitals on Skryabin in Britain and France. He is an Honorary Fellow of Royal Birmingham Conservatoire.Michael Pushkin is Russian language coach for singers at Royal Birmingham Conservatoire. Previously, he taught Russian literature, history, and language at the University of Birmingham and other universities. He has published articles on the social history of the nineteenth-century Russian intelligentsia and on the poet Andrei Voznesensky.