The Other Typist
Autor Suzanne Rindellen Limba Engleză Hardback – 31 aug 2013 – vârsta de la 18 ani
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 100.54 lei 6-8 săpt. | |
Berkley Publishing Group – 31 mar 2014 | 125.13 lei 3-5 săpt. | |
Penguin Books – 2014 | 100.54 lei 6-8 săpt. |
Preț: 259.48 lei
Nou
Puncte Express: 389
Preț estimativ în valută:
49.66€ • 51.65$ • 41.62£
49.66€ • 51.65$ • 41.62£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781611739152
ISBN-10: 1611739152
Pagini: 447
Dimensiuni: 149 x 221 x 35 mm
Greutate: 0.66 kg
Ediția:Text mare
Editura: Center Point
ISBN-10: 1611739152
Pagini: 447
Dimensiuni: 149 x 221 x 35 mm
Greutate: 0.66 kg
Ediția:Text mare
Editura: Center Point
Recenzii
"Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell’s debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan.... A deliciously addictive, cinematically influenced page-turner, both comic and provocative." —Kirkus Reviews (starred review)
"Rindell's debut is a cinematic page-turner." —Publishers Weekly
“With hints toward The Great Gatsby, Rindell’s novel aspires to recreate Prohibition-era New York City, both its opulence and its squalid underbelly. She captures it quite well, while at the same time spinning a delicate and suspenseful narrative about false friendship, obsession, and life for single women in New York during Prohibition.” —Booklist
“Totally addictive.”—The Atlantic Wire
“This eerie and compelling debut is a riveting page-turner, narrated by a strangely hypnotic yet dubious young woman who works as a typist for the NYPD in the 1920s. Don’t start this novel at night if you need your beauty sleep—you’ll stay up to all hours devouring its pages.” —Alice LaPlante, New York Times bestselling author of Turn of Mind
“As you read this remarkable first novel you will feel the room temperature drop. It’s chilling till the very end.” —Rita Mae Brown, MFH, Author
“You could make a one-sitting read of The Other Typist: it maintains the riveting dance of question-provoking answers that earn page-turners their name, and Suzanne Rindell’s Jazz Age NYC is gritty, glamorous, and utterly absorbing. . . . you’ll want to talk about The Other Typist.” —Alison Atlee, author of The Typewriter Girl
“Suzanne Rindell messes with your head. The Other Typist pretends to be the story of a nice young woman entering the cutthroat world of police work in 1920s New York. But it’s New York, not the nice young woman, who should be trembling. I had a blast reading this and had my nerves scrambled by the end.” —Victor LaValle, author of The Devil in Silver
“Best for those who can’t get enough of The Great Gatsby and the Roaring Twenties. . . . This thrilling page-turner cinematically captures the opulence—and sordidness—of the Prohibition Era in New York.” —Shape.com
“A story of glamour, prohibition, obsession and corruption, with a fantastic Hitchcockian twist, The Other Typist is a great way to kick off a summer of reading.”—KMUW 89.1, Wichita Public Radio
“A thrilling riff on the classic noir and an impressive first novel.”—Christian Science Monitor
“[A] perfect social comedy: A plain young typist working for the New York Police Department in the 1920s becomes obsessed with a glamorous co-worker. Revealing that there is a murderous twist in Suzanne Rindell’s spellbinder isn’t a spoiler but an essential for enjoying the exhilarating buildup.”—Daily Candy
"Rindell's debut is a cinematic page-turner." —Publishers Weekly
“With hints toward The Great Gatsby, Rindell’s novel aspires to recreate Prohibition-era New York City, both its opulence and its squalid underbelly. She captures it quite well, while at the same time spinning a delicate and suspenseful narrative about false friendship, obsession, and life for single women in New York during Prohibition.” —Booklist
“Totally addictive.”—The Atlantic Wire
“This eerie and compelling debut is a riveting page-turner, narrated by a strangely hypnotic yet dubious young woman who works as a typist for the NYPD in the 1920s. Don’t start this novel at night if you need your beauty sleep—you’ll stay up to all hours devouring its pages.” —Alice LaPlante, New York Times bestselling author of Turn of Mind
“As you read this remarkable first novel you will feel the room temperature drop. It’s chilling till the very end.” —Rita Mae Brown, MFH, Author
“You could make a one-sitting read of The Other Typist: it maintains the riveting dance of question-provoking answers that earn page-turners their name, and Suzanne Rindell’s Jazz Age NYC is gritty, glamorous, and utterly absorbing. . . . you’ll want to talk about The Other Typist.” —Alison Atlee, author of The Typewriter Girl
“Suzanne Rindell messes with your head. The Other Typist pretends to be the story of a nice young woman entering the cutthroat world of police work in 1920s New York. But it’s New York, not the nice young woman, who should be trembling. I had a blast reading this and had my nerves scrambled by the end.” —Victor LaValle, author of The Devil in Silver
“Best for those who can’t get enough of The Great Gatsby and the Roaring Twenties. . . . This thrilling page-turner cinematically captures the opulence—and sordidness—of the Prohibition Era in New York.” —Shape.com
“A story of glamour, prohibition, obsession and corruption, with a fantastic Hitchcockian twist, The Other Typist is a great way to kick off a summer of reading.”—KMUW 89.1, Wichita Public Radio
“A thrilling riff on the classic noir and an impressive first novel.”—Christian Science Monitor
“[A] perfect social comedy: A plain young typist working for the New York Police Department in the 1920s becomes obsessed with a glamorous co-worker. Revealing that there is a murderous twist in Suzanne Rindell’s spellbinder isn’t a spoiler but an essential for enjoying the exhilarating buildup.”—Daily Candy
Notă biografică
Suzanne Rindell is currently in the dissertation phase of the Ph.D. program in English literature at Rice University. Her concentration is in twentieth-century American modernism, and her research provided the impetus for her novel. She has published short fiction and poetry in Conjunctions (online), Nimrod, StorySouth, Crab Orchard Review, and Cream City Review.