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The Persistence of Voice: Instrumental Music and Romantic Orality: National Cultivation of Culture, cartea 14

Autor John Neubauer
en Limba Engleză Hardback – 19 iul 2017
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.
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Specificații

ISBN-13: 9789004343351
ISBN-10: 9004343350
Pagini: 290
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.57 kg
Editura: Brill
Colecția Brill
Seria National Cultivation of Culture


Notă biografică

John Neubauer (Budapest 1933 – Amsterdam 2015) was Professor of Comparative Literature at the University of Amsterdam. Among his works are The Emancipation of Music from Language (1986), The Fin-de-siècle Culture of Adolescence (1992) and the four-volume History of the Literary Cultures of East-Central Europe (4 vols., ed. w. M. Cornis-Pope, 2004-10).

Cuprins

PrefaceWords of ThanksList of AbbreviationsList of IllustrationsIntroductionRetelling the Fifth Absolute or Emancipated Music? Part 1: The New Discourses Part 2: Romantic Orality

Part 1: New Discourses about Music

Introduction to Part 11 The Music JournalsAllgemeine Musikalische Zeitung (amz)Friedrich RochlitzGottfried Wilhelm Fink A.B. Marx and the Berliner allgemeine musikalische Zeitung (bamz)Revue et Gazette musicale de Paris (rgm) Maurice SchlesingerJules JaninHector BerliozNeue Zeitschrift für Musik (NZfM)2 From Poetry to Music NovelsGulden/Fiorino, Hildegard von Hohental, Heinrich von OfterdingenLe neveu de RameauHegel’s Spirit “Ritter Gluck”3 Failing Musicians, Failed EducationThe Berglinger Stories Miseducation or Music Madness“Der Besuch im Irrenhause” (1804)“Der arme Spielmann”4 Serialized NovellasHoffmann in Germany Hoffmann in France and in FictionJanin’s HoffmannOpera FictionOpera in Balzac’s “Gambara” and “Massimilla Doni”Historical Musicians in Fiction5 Narrating Listeners, Narrating InstrumentsListeners Narrate Instruments Narrate Berlioz“Harold en Italie” (1834)Roméo et Juliette (1839)Schumann

Part 2: Romantic Orality

6 From Journals to BattlesBattle Drums at Dresden, Leipzig, and Wellington Waltzing in Vienna7 Music Histories: From Gossip to NationalismAnecdotes, Gossip, and ObituariesStendhal – A Biographer?Voice and Instruments in History Thibaut’s Musical Past and Legal PresentSchumann and ThibautF.-J. Fétis: The Glory of the Low Countries?8 Speech and SongMichel Foucault Friedrich Schlegel and Franz Bopp Wilhelm von Humboldt Johann Christoph Adelung The Mother’s Voice and Pestalozzi Der goldene Topf9 Vocal Authenticity?OssianismHerder on OssianForgeries, Opera Adapations, Plagiarisms, and Copyrights Authentic Folk Songs?Whose Wunderhorn?10 “Write as You Speak” – in SerbianKopitar, the Networker Karadžić, the Voice of the “Volk” Jacob Grimm, the Patron Fauriel, the Professor Parry and Bartók: Secondary Orality11 Contrafacts from the British IslesScott (Re)turns to Ulster Byron on Jordan’s Banks Schumann as Saul12 Vernacular OperasEpilogueReferencesIndex