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The Philosophy of Susanne Langer: Embodied Meaning in Logic, Art and Feeling

Autor Adrienne Dengerink Chaplin
en Limba Engleză Hardback – 16 oct 2019
This book is a comprehensive study of one of the most insightful and fertile but also most neglected philosophers of the twentieth century, Susanne Langer. Failure to recognise Langer's seminal philosophical sources has led to frequent misinterpretations and misunderstandings of her unique philosophical thought. Beginning with an overview of Langer's life and education, this study provides a much-needed explanation of how Langer's thinking was shaped by four seminal sources: her mentors Henry Sheffer and Alfred North Whitehead and the European philosophers Ernst Cassirer and Ludwig Wittgenstein. Langer's ability to unite seemingly disparate fields such logic, art, and embodied cognition around the notion of symbolic form, places aesthetics not at the margins of philosophy but at its very centre. By locating Langer's work in the broader context of major developments in twentieth-century European and American philosophy, Dengerink Chaplin shows how she was often ahead of her time. Shedding new light on Langer as an American philosopher whose innovative thought crosses the customary boundaries between analytic and continental philosophy, this book confirms why she continues to have relevance today.
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Specificații

ISBN-13: 9781350030558
ISBN-10: 1350030554
Pagini: 400
Dimensiuni: 156 x 234 mm
Greutate: 0.77 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Examines the complex and intertwined histories of Anglo-American and European philosophy in the mid-twentieth century

Notă biografică

Adrienne Dengerink Chaplinis a Visiting Research Fellow at King's College London, UK.

Cuprins

IntroductionPART I: CONTOURS1. Life and Work2. European Philosophy in America3. Philosophy and WomenPART II: SOURCES4. Henry M. Sheffer: Logical Form 5. Ernst Cassirer: Symbolic Form6. Alfred N. Whitehead: Organic Form 7. Ludwig Wittgenstein: Expressive FormPART III: CONTRIBUTIONS8. The Logic of Signs and Symbols9. Art as the Form of Feeling10. Mind as Embodied MeaningConclusionBibliographyIndex

Recenzii

Through meticulous research, astute analysis, and insightful interpretation, Dengerink Chaplin shows how Langer combined ideas from Wittgenstein, Whitehead, and Cassirer into an ambitious and original philosophy of art and mind. Often ignored or misunderstood, Langer was an important thinker ahead of her time. Her work deserves to be revisited; this path-breaking book tells us why.
Early in my career as a philosopher of art I dipped into Susanne Langer's writings on art. I thought I understood them. Reading Adrienne Dengerink Chaplin's book on Langer has shown me that I understood very little. The depth, the subtlety, passed me by. And of the extraordinary breadth of her philosophy in general, I knew nothing. What an eye-opener this deeply researched book has been for me -- and will be for many others. This is a Langer we knew not!
No matter how novel a new philosophical framework is or appears to be, it has antecedents and roots that influence and nourish it and without which it would not be possible to understand it. With this as her guiding thread, Adrienne Dengerink Chaplin has produced an insightful and indispensable account of the genesis and structure of Susanne Langer's lifelong researches on the symbolic processes and structures that create the meanings we live by.
It would be impossible to imagine a better introduction to Langer for contemporary audiences. Dengerink Chaplin has engaged the entirety of Langer's philosophical corpus, situated in its historical context, and shown in depth and detail the salience of her project to contemporary questions and concerns. Anyone interested in language, consciousness, mind, art and symbolism in all of its forms would profit immensely from reading this work.
This is the book on Langer that the scholarly community has been waiting for: a go-to reference for all the main aspects of her thought, her original ideas along with her complex relations with the top intellectuals of her day. One can read this volume as an introduction to philosophy in the 20th century, how it changed, grew, and in some ways declined.